Halgato

Matko is a small time hustler, living by the Danube with his 17-year-old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a sister, Afrodita, that he desperately wants to see get married so they strike a deal: Zare is to marry her.

A man is looking for a singer he had heard on cassette. He finds much more.

RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.

The protagonist, Bora, is a charming but mean-spirited gypsy, while his older wife, Lence, is submissive. Bora is in love with the younger Tisa, who is being offered in marriage by her father. The two get themselves in trouble and eventually have to flee. Tisa rejects her husband and she and Bora get married in the church, and their adventures continue.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

A full 15-track live set recorded over two nights in NYC at Irving Plaza. Setlist: Ultimate, Sally, Not A Crime, Dogs Were Barking, Wonderlust King, Mishto, Forces Of Victory, Tribal Connection, 60 Revolutions, Start Wearing Purple, Think Locally - Fuck Globally, Punk Rock Parranda, Illumination, Baro Foro

Gypsy Romeo and Juliet: A boy and a girl from rival families fall in love.

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Documentary that recovers the figure of the singer Terremoto de Jerez and his legacy.

A young mother, Mildred, doesn't know that her husband Walter is cheating on her. One night she attends a party with a friend of her husband's, and the man gets drunk and begins groping her when they get home. Her husband sees this and uses it as an excuse to sue his wife for divorce. In the ensuing trial he wins, due to fraudulent evidence, and gets custody of the child. Complications ensue.

Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.

A successful but also hedonist young man gets afflicted with HIV by accident, eventually being abandoned by everybody around him. He becomes a problem for society until meeting another unfortunate person like him.

Sigga and Didi are sisters who lost their mother when very young and were separated. Since then their lives have taken very different paths and their characters have come as different as black and white. When they meet in their twenties the pair take a run through Reykjavik, ripping off drug smugglers and dealers and partying while escaping from the thugs.

"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

An abused wife leaves her husband, takes her child away and goes to live in a car.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.