Stadens själ

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Great Contract: Paju, Book, City

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

A documentary about Domus department stores in Sweden.

A documentary on the post-war redevelopment in the City of London — focusing on the attempt to build an ambitious network of elevated walkways through the city. Featuring interviews with professor of town planning Michael Hebbert (UCL), architecture critic Jonathan Glancey, city planning officer Peter Wynne Rees and writer Nicholas Rudd-Jones (Pathways), the film explores why the 'Pedway' scheme was unsuccessful and captures the abandoned remains that, unknown to the public, still haunt the square mile.

Watch the drama unfold when the city of Las Vegas blows up the town's impromptu movie set.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

Quand la Seine débordera

A film photo-montage about an old house that belonged to a traditional local family that was later demolished.

A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.

Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

"A Respectable Life" - A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.

Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.

A City Runs Through the Festival is an anatomy of the Festival through the eyes of its own audience.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

This time, in “Atlantida”, Puertas wanders through stories based on memories he keeps from his hometown, Póvoa de Varzim, wondering what happened to the aura of this city he remembers so nostalgically.

In the 1950s, Seattle had plans to build one of the densest networks of freeways in the world. It would have displaced thousands, especially the poor and people of color. Over the next two decades, a broad coalition of communities came together and halted these plans. Testimonies from that era are juxtaposed with interviews of activists who participated in the revolt, giving a picture of what Seattle could have been had the people not stood up to the highway lobby and their representatives.