The Battle of the Century

A comedy film directed by Frank Richardson

A vain man is out to meet a woman he met on Facebook for the first time. While waiting for her, he comes upon a naive guy whom he teaches his ways to attract women. But the vain man may need to learn something more.

A young department employee learns that the fire alarm for which he is responsible only exists on paper. Trying step by step to uncover the criminal circle of a deceitful system, he seeks support from his uncle, the head of the department. But this circle unexpectedly closes ... on himself.

A gingerbread comes to life, enacting revenge for his fallen brother.

L'aéroplane de Fouinard

A young man keeps meeting the same girl with a violin again and again. Is it his destiny?

An alternative interpretation of the series' start.

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

A ten pointed funny story with ten different characters shows us literally ten ways to seem cool in a movie

West Berlin, 1989. Manny Jumpcannon prowls his dingy apartment, phoning various degenerates from his past. He's hoping for some uncertain vindication but the ensuing conversations only reveal his own sordid history of deceit.

The tragic story of a spare tire who struggles to find a new purpose.

One summer morning, Abel decides to solve his parents' financial problems by taking matters into his own hands. Helped by his best friend Edwin, he roams the neighborhood in search of easy money and soon finds himself unable to resist the call of crime.

On Josh and Greg's first date, they quickly realize that the generational divide between them is the least of their worries.

This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.

Short movie about a man trying to convince a pizza delivery boy to take out his trash.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.

This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.

Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.

The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.