A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.
Otto Betulle
If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
Topo estrellado
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
Relaxing with a carrot at a U.S. Army air field, Bugs is reading "Victory Through Hare Power" and scoffs at the notion of mentioned gremlins, little creatures who wreak havoc on planes with their diabolical sabotage.
A fictional account of the life of Japanese author Yukio Mishima, combining dramatizations of three of his novels and a depiction of the events of November 25th, 1970.
An American art collector, living in France in the 1870s, who loses his fortune in a stock market crash devises a scheme to get back his wealth through insurance fraud with the added consequence of potentially killing hundreds of people. His scheme is to place his art collection aboard a ship, insure the collection far beyond its value, and place a barrel of dynamite with a clock-piece timed to go off when the ship is at sea.
The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.
Intimate portrait of Marie-Jo Gobron, belgian poet and the director's mother. 20 years after the release of a film about his father's paintings, the filmmaker continues the description of the artistic universe of his parents. Born in 1916 in Flanders near the French border, Marie-Jo writes mostly in French. Aged 85, she starts an autobiographical novel about her youth, its many events, and about her daring emancipation in art and love, which she confides here.
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
1984, Franco-German border. A Berlin gallery owner transports the flagship sculpture from his collection for a major exhibition. Faced with the object, the French customs officer hesitates: is it really a work of art?
Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.
Art has always investigated nature and man's connection with the world. Several contemporary artists have questioned the issues of climate change and environmental sustainability and have tried to amplify our ecological consciousness. Through the testimonies of artists of different generations such as Olafur Eliasson, Christo, Michelangelo Pistoletto and the gaze of critics such as Germano Celant and Carolyn Christov-Bakargiev, we retrace some of the most significant works.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.
Ed Ruscha made his very first art in his native Oklahoma, but soon became attracted to Los Angeles . Curator Margit Rowell has examined his extensive body of work and created a brilliant exhibition of his seldom seen drawings. Rowell visits Ruscha in his studio, looking at new paintings with the artist, discussing his progress over the decades and asking him to comment on the many milestones in his large retrospective exhibition at MoCA in Los Angeles.
With a pair of scissors and some paper, he turned his art into a weapon the Nazis feared. A look back at the eventful career of satirist John Heartfield (1891-1968), pioneer of photomontage and modern graphic design.
A documentary on the painter Antonio López and his day-to-day work.
One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).