To Kill Alice

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.

No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.

Founder of VICE Shane Smith spends an eternity on a train and hops out at the end of the line in Siberia to investigate logging camps that use North Korean slave labor.

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

IM Kwon-taek is a Korean film-maker. He was born in 1934 when his country was under Japanese occupation. When Korean War was over his parents became North Korean partisan, and he ran away from home. He’s made 101 films since he made his debut in 1962 with Farewell Doman River. He tasted the glory at Cannes Int’l Film Festival with Chiwhasun. However making the 102nd film seems harder than ever to this 80-year-old director. His 2 projects have been suspended. He still can’t find chance to make his 102nd film, but spends daily routine free from film-making. This is a recording of years that the film-maker spends without making a film.

The film deals with the rights of Japanese-Koreans -born in Japan but without Japanese passport or nationality- and the social rejection that they face if they don’t integrate completely, abandoning their Korean identity. The film’s main thread is the story of a Korean man, who in the times of the Japanese occupation of the Korean peninsula, is sent to Japan to fight along with the Japanese in the Philippines, but after the war and fearing discrimination, creates a Japanese identity for himself and manages to get married and have children without his family ever knowing about his origins for 50 years until he is arrested in 1985 for forging official documents and in suspicion of being a spy from North Korea. (…) © timegoesbyin.wordpress.com/tag/i-wanted-to-be-japanese

Once a mountain kingdom of ancient palaces and emperors, Korea in the 21st century is largely known for its modern cities and decades of conflict. Tensions between North and South may be what defines it to outsiders but beyond the battle scars there is another side to Korea. In the south are large pockets of untouched wilderness where extraordinary animals flourish and Koreans continue to practice age-old traditions in tandem with the seasons and with nature. It is in these connections, rather than in division, that we see the true Korea.

"You belong to the country for the next two years." The film describes Woo-cheol's struggles with becoming part of a group while trying to maintain his individuality throughout his military service period. A humorous yet cynical portrait of military groupism.

Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.

Korea is a divided nation. Filmmaker Min Sook Lee sets out on a revelatory, emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.

With their long working hours, cultural obsession with productivity, and high-stakes schooling system, South Koreans live life in the fast lane. Everyone has the same aim: to be successful and to beat the competition. Thanks in part to this hard...

The piercing cold of 10 below zero wasn't even a problem. In February, 2009, about 400,000 people gathered in Myung Dong for a brief meeting for a single reason. The late cardinal KIM Sou-hwan became the first cardinal in a land of poor faith. He summoned up his courage when no one took action. He practiced love as a miracle until he left us. He was a respected senior of the society beyond the religion in the turbulent times; a figure whose life had been like a fence for the disadvantaged. The late cardinal KIM Sou-hwan was ‘a great man of the era’. His passionate love is now revived on the screen.

Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.

This two-hour special reveals the complicated history, extreme politic, and rigid societal standards that have created a legacy of internal oppression and external aggression. As the North Korean people suffered famine, labor camp and public executions, the Kim regime spent three generations relentlessly pursuing nuclear ambitions. They operate as a criminal syndicate, using counterfeit money, drugs and cyber espionage to fund their war machine. Now, with weapons rivaling the world’s superpowers, their aggressive rhetoric has pushed the world to a crisis point.

Sexual violence against women has accompanied almost every large-scale conflict, yet most of its victims are silenced. One such sad episode is that of the "comfort women," or more accurately, the estimated 200,000 women who were recruited to sexually serve the Imperial Japanese Army during World War II. As part of this immense system, many young women from all over Japan's occupied territories in Asia were forced into service where they faced rape, torture and extreme violence at military camps, euphemistically termed "comfort stations.'

In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.

This is a journey like no other, after several months of wrangling with North Korean authorities in Paris reporters Michaël Sztanke and Julien Alri obtained a visa for Pyongyang but as soon as they arrived the scene was set by a compulsory photo shoot. Journalists are kept under close surveillance and to go to North Korea is to accept the presence of guides who provide supervision 24 hours a day, their primary role is to protect the countries image. In North Korea’s eyes every foreigner is a potential enemy who must be closely watched, this being said Sztanke and Alri attempt to delve deeper into the inner workings of the hermit kingdom, discovering the real nature of this political regime and how life is for your everyday North Korean.

North Korea has nuclear weapons. How did it manage to get them quietly? Donald Trump is under the impression that as US president he could convince Kim Jong-un, the North Korean leader, to disarm his nuclear weapons and make peace with South Korea. But how was it possible that one of the poorest countries in the world could acquire the knowledge to produce nuclear-tipped rockets?

One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.