There is no love lost between the Red Dog Garage and the Black Cat Garage, two auto repair shops on opposite sides of the street. A big cross-country auto race is announced, and it turns into a no-holds-barred contest as the rival garages go all out to win.
Trader Hound, a dog who walks upright, wears human clothes, and speaks English, is in darkest Africa with a young sheik who is looking for adventure. With their native guides, they are searching for a lost princess, Nina T-Bone. After sleepless mosquito-filled nights, clothes lost to a mischievous monkey, and a battle royal between a lion and a gorilla, they make their way to Izorgi Village, where the fierce Afri-Curs live and where Nina T-Bone may be a prisoner. Trader Hound and his party are taken captive, and the Afri-Curs prepare a pot to boil them. Can they make their escape?
A classic about an anteater who makes life rough for a colony of ants. In the ant community, the queen spreads warnings of their greatest enemy, the Anteater. "He's a menace, he's a brute, he will scoop you with his snoot." Their motto is "make him yell uncle," which they do when the anteater invades them.
A pack of admirers won't leave a beautiful woman alone at a seaside resort, so she devises a plan. She appears in a leg-revealing swimsuit, but the stockings have been stuffed with cotton to make her limbs appear misshapen. All but one of the men is driven off, and regret it when she removes the misleading leggings.
Mabel plays an out-and-out crook, a "Girl Bandit," no less. And she quickly hooks up with a male partner in crime, in this case a Gentleman Crook played by perpetually grinning Creighton Hale. Mabel seems a little livelier in this film than in some of her other late works. In the very first scene we find her hitch-hiking, and she's forced to make a mad dash for cover when Hale's car nearly hits her. Soon they team up and crash a swanky party in a mansion to steal a jewel from the host's safe.
Ko-Ko the Clown is brought to life with a needle and thread.
Eleventh episode, third series, of The Gumps 2-reel series.
In this hand-colored short, a magician and his assistant do a series of magic tricks, including making potted plants appear, among others. Melies played the magician, and the actor Manuel played his assistant.
A train conductor goes about his duty. All the characters are animals in human form. Hippo ladies in dresses try to jam into cars and other passengers pull jokes and cause havoc.
Karl Valentin gets a new desk which absolutely does not fit his needs. He tries to solve the problem in some really strange ways.
Bout de Zan is a young boy by description and a petty thief by vocation. In this short, he does indeed steal an elephant from a circus, parading it around town and using it to beg for money. Due to their rambunctiousness, Bout de Zan and the elephant (!) need saving from the authorities.
Robinet disguises himself as a woman to get away from his girlfriend’s husband, and discovers the unexpected pleasures of public drag amidst mobs of flirtatious men. (MoMA)
A gentleman who's opposed to and mocks women's suffrage goes for a walk and unknowingly becomes an advertisement for it.
A spoof of Sherlock Holmes. Directed by Alice Guy-Blache for Solax Film Company.
Robinet gets punched by a boxer in the ring and decides to challenge him for a match. To win, he needs to train as much as he can.
Uncle Josh returns in this sequel to UNCLE JOSH'S NIGHTMARE. This time he checks into a hotel, presumably to get a better nights rest than he got at home. Of course the way bad luck follows Josh around we know this is a forlorn hope. Sure enough, quicker than you can say "Georges Méliès" a ghost pops up to make sure Uncle Josh is denied yet another good nights rest.
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion.
Foxy Grandpa and Polly was a comic strip upon which husband and wife team Joseph Hart and Carrie DeMar based a musical for the stage. Here, in the third film of the series, they enter from our left, hand in hand, a sylvan backdrop behind them. They're in fancy dress: he in three-piece suit and tie, bowler hat in hand; she in frilly floor-length dress, hat, and long braid of hair behind. They do a carefully choreographed dance - he's comic with large nose and male-pattern baldness splitting white curly hair; she's festive and smiling. They stay in sync. The camera is stationary, and it's one take.
Three girls are taking a bath in a quiet, shady spot along a beautiful stream. Another young lady in bathing attire reclines on the bank. The latter suddenly discovers two hoboes coming toward the bathers and immediately gives the alarm. They throw water over the hoboes, who gather up the clothes of the fair bathers and make off, compelling the bathers to walk home in barrels. In order to conceal themselves as much as possible they hold the barrels rather high.
A dissipated man sits at a table with a decanter of whiskey and a glass beside him. A revolver is on the opposite side of the table. He pours a glass of whiskey and, with a despairing look, starts to drink it. He changes his mind, grabs the revolver, and places it against his temple, but then changes his mind again and lays the revolver carefully on the table. He drinks the whiskey with a contented smile and thumbs his nose at the audience.