Hollywood es así

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally meets and befriends worker Sergei, who works on a steamroller in their upscale Moscow neighborhood.

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

Now a taciturn adult, an adoptee finds his biological mother and strikes up a relationship fraught with tension and emotion.

The arrival of a beautiful new stranger in town prompts two boys to spend their summer holidays enticing the young woman to act in a short-film. However their motivation is purely that of seeing her naked.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".

In his award-winning debut feature film, director Ahmet Ulucay portrays the innocence of childhood and the lure of the cinema for two teens in a small Turkish village. Working for a watermelon seller by day, Remet spends his evenings trying to rebuild a film projector with his friend Mehmet. Both have big dreams to be famous film directors one day.

The adventures of a group of teenagers at a drive-in theatre in Texas one weekend night.

Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...

MISERY LOVES COMPANY is a film about personal growth and emotional understanding in the guise of a dark romantic comedy. Brian Norton (Peter O'Brien) is a broken-hearted projectionist with a chip on his shoulder. After getting dumped by his current love interest, Alison (Priscilla Wilson), he inverts to a retrospective state in search of the source of his dilemma, but when your reality is primarily fantasy, it's easy to lose sight of things. Brian struggles for understanding as his best friend, Cliff (Steven Bendler), encourages him to put his emotions aside and focus on friendships instead of relationships. It is through Cliff that Brian meets Veronica (Carly Ballister) and his inner conflict begins. His problems are exacerbated by the adolescent advice of his friends, Les (Shawn Stephens) and Wayne (Konrad Mann). What follows is an exploration of options, expectations and experiences that serve to remind Brian of one thing... You're never as alone as you feel.