Flash Passion

Tortured Souls

An egg desperately tries to prevent being hatched. In this animated short from the Canada Vignette series, learn how societies in evolution are often in danger of self-destruction.

A desperate father tries his best to wake up his wife who's in a coma.

Genral Hua rescues a little beggar maid.

A father sacrifices an animal on the day of Eid al-Adha according to the traditions and customs of the past. According to the old custom, he gives the last bowl of water to the goat, but his son tries to save the goat. The father angrily looks for them. The boy makes the goat run away and puts the rope around his neck instead of the goat. This short film refers to the story of Ismail and Ibrahim in Islam.

A group of friends staying at the Cabins at Crystal Lake find themselves stalked by a masked killer.

The screen version of the Saltykov-Shchedrin tale about how two complacent generals miraculously found themselves on an uninhabited island. How a peasant was courting the generals, feeding and dressing them, content himself with crumbs from their table. They only slightly thanked him, but in the end they gave him only glass of vodka and a penny of silver.

Iris

Pride going before the fall.

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.

After her hands are severely damaged in an accident, an over-zealous hand model hatches an ill-conceived plan to get back in the extremity modeling game with her feet.

Scuggs, the utterly unpleasant super of a Bronx tenement is driven to desperate measures by an innocent-appearing, but manipulative 11 year-old girl. Based on the graphic novel by American Master Will Eisner, Meinecke combines larger-than-life characters, borrows from the traditions of melodrama and applies a visual language derived from German Expressionists to create a haunting tale, that won particular favor with New York critics.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.