The Hunt for Transylvanian Gold

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.

Based on the official transcripts of the investigation that followed after the very suspicious notorious death in prison of one of the most important leading men of the South African anti-apartheid movement, Steven Biko.

The history of New York City's Apollo Theater in Harlem is given the full treatment.

As they begin their journey home from their student exchange term, Charlie Brown and the gang find themselves sidetracked. They have severe car trouble and more importantly, they pass by various monuments to World Wars I & II. With Linus guiding them through these memorials, they learn about the events of the wars and the sacrifices required of the troops who fought them.

Cheng, a young man who is set up by the chief of police, must leave the life he knows and Qiu, the woman he loves, to start again. After escaping prison Cheng quickly and violently moves his way up the ladder of Shanghais criminal underworld to become on the most powerful mob bosses in Shanghais history. But fame and notoriety take their toll when Cheng finds himself stuck between the looming Japanese army and the scheming local secret service. Matters are only made worse when he bumps into the love of his life QIU, along with her writer husband. Will love re-kindle in the dusk of an era?

This Passing Parade series entry looks at three instances of people who either caused or were the victims of errors.

Produced by the International Ladies Garment Workers Union, the film used actors to recreate the Triangle Shirtwaist Factory fire and compare working conditions of the early 20th century to that of the 1950s.

Since its inception in 1931, Mahishasuramardini has been one of the most popular programmes in Bengali radio, and is currently the longest running radio programme in India, narrated by Birendra Krishna Bhadra. This film is a truthful account of what unfolded in 1976, after Aakashvani decided to replace Birendra Krishna with eminent actor Uttam Kumar in a revamped programme.

A documentary about what happened to the Great Plains of the United States and Canada when uncontrolled farming destroyed the soil and led to the Dust Bowl.

A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

This is an Original Documentary Short-Film by Arrayanes about a pioneer in Alchemy on Uruguay: 'Francisco Piria'. We share the misteries and wonder about the city of 'Piria' and their simbology.

A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.

Gary is turning into a dinosaur, and Eric must find the cure. This becomes a globetrotting journey into everything dino while searching for the magic waters needed to stop Gary's odd transformation. Will Eric be too late? Get ready to meet the Garysaurus!

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.