Dead Ink Archive

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Two little children, who think themselves very much in love with each other, imbued with the ideas of their elders, plan a romantic marriage. Alvin Strong, the boy, confides his intentions to the family's servant, Jaspar. Alvin arranges with Jane, his sweetheart, to elope in the usual way, through a window, with the assistance of a ladder.

A couple is stuck in an escape room, and a failing relationship, with no way out.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

The latest in Peccadillo’s critically acclaimed series – now established as a leading showcase for new and emerging queefilm-makingng talent from around the world – features a fresh and exciting selection of the very best contemporary gay short films. Each self-contained drama in this diverse and thoughtfully curated collection offers fascinating and insightful new perspectives on the gay experience – sensual, affecting, sometimes provocative and always entertaining. The 8 short films are: Have We Met Before? (2019); The Act (2020); First Position. (2019); Winter [Invierno] (2021); The Suit Weareth the Man (2020); Infinite While It Lasts [Infinito Enquanto Dure] (2019); Melon Grab (2017); Thrive (2019).

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

Se-young stays alone and works overtime. Her lover, Hye-mi, visits Se-young's company and they have a date there. Suddenly, the new employee, Joo-ah, returns to the company.

David comes home from college to his family’s farm to find that his parents have hired a young man named Brent, who is also sharing his room. David is still in the closet and wants to come out to his high school friend, but he finds himself drawn to his new roommate and tries to determine if he is also gay.

Judith attempts to work out why her partner appears not to be that interested in her, whilst other men appear to care more.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

The start of summer is approaching. Arthur, a 20-year-old student, sees his best friend from college, Tony, preparing to leave for Canada. The idea of ​​finding himself far from Tony suddenly awakens a much deeper attachment in Arthur. He will have to succeed in confronting his feelings and the views of others before it is too late.

Two former high school classmates return from a night of heavy partying. The closeness of their friendship long ago quickly metamorphoses into a present day battle between tenderness and desire. As the pair open their minds to each other, dawn sheds light on their anxieties, which soon evaporate under the sun's rays.

After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

Christmas week can’t get any worse for Jules Jilliland. Dumped by her boyfriend, rear-ended on the freeway, and fired from her job, she finds herself stuck in an elevator with a handsome stranger. When their packages are accidentally swapped, will it end up being a misfortunate accident that suddenly brightens her holidays?

Starring Mike Brayden, Yvette Angulo and directed by Ryan Casselman. Birthdays can be tough. Often a reminder that our lives are moving at rapid speed, and while you may have aged a year older over night, you realize that not a whole lot else has changed. That is certainly the case with Jeff, a greeting card creative who has the 'birthday blues' and struggles to find someone to share his birthday with.

A weapons deal between a white supremacist and a member of the Islamic State blossoms into more.