On Such a Night

A struggling salesman takes custody of his son as he's poised to begin a life-changing professional career.

Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

Lal wants to start his tourist bus service and enlists the help of his brother-in-law, Das, who takes him to Chor Bazar, and for two Lakh Rupees assembles a hideous-looking bus to transport passengers from Bombay to Goa. Selling his tickets at a discount of 40 percent, Lal becomes the Conductor, while Das is the driver. Their passengers consist of Vetti Kutti Anna and his two bar dancer daughters, Deepa and Lajjo; writer Aditya Chopra; a runaway couple, Abdul Karim Telgi and Husna Khekeda; a diabetic patient, Charandas amongst others. On the way they pick up an elderly male, Harley Davidson, and Dr. Kushal Bhardwaj, as well as India's cricket team, and a four-person Nautanki group. After letting some passengers, including the cricket team and Harley, alight, they subsequently find Harley dying after meeting with an accident. Before dying, Harley tells them that 20 years ago he had robbed a fortune in diamonds and jewelry which he has hidden in Madgaon, and hands them a map. The ...

In the 1970s, Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. Twenty years on, these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

An eccentric family is re-united during the 1968 general strike in France, after the death of the grandmother.

The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domingo gave a riveting performance as the fiery revolutionary Gabriele Adorno, a tenor part. In the 2010 revival, he made history by taking on the baritone title role, one of Verdi’s most fascinating characters, and thrilling audiences with his multifaceted and gripping portrayal. Boccanegra is beset on all sides, juggling political adversaries bent on murder with his love for his long-lost daughter Amelia (Adrianne Pieczonka). James Levine’s conducting brings out all the color and surging emotion of Verdi’s magnificent score.

Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

Three friends decide to hire a prostitute on the day of the Aatukaal Pongala - a Hindu festival in Trivandrum - when their wives are busy.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

O komínku zedníky laškovně nakřivo postaveném aneb Souboj pantátův se zedníky

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.

Avenged Sevenfold at Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. Setlist: 01. Shepherd of Fire 02. Critical Acclaim 03. Beast and the Harlot 04. Hail to the King 05. Buried Alive 06. Fiction 07. Nightmare 08. This Means War 09. Afterlife 10. Requiem 11. Bat Country 12. Unholy Confessions

Classics on a Summer's Evening is an outdoor concert for an enormous audience which was staged in an architecturally striking public square in Dresden in July 1999. It features the most glamorous young husband and wife currently active on the international operatic scene, soprano Angela Gheorghiu and tenor Roberto Alagna. Along with these fine performances comes Giuseppe Sinopoli--before his untimely death at age 54--who was considered one of Europe's finest opera conductors, and, in the Dresden orchestra and chorus, performers who match his creative energy.