Time, ago!

Filmed in August of 2015 at The Stone in New York City, Kayo Dot performed their debut album Choirs Of The Eye in its entirety for a group of fewer than 75 fans.

A lyrical story about love and death, realized as a message.

Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance, recorded on May 7, 2003 at WTTW Grainger Studio in Chicago. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."

Music by Dick Connette from his album, Too Sad for the Public Vol. 1: Oysters Ice Cream Lemonade. Suzzy Roche sings the vocal. Dick’s lyrics were inspired by the reknowned photography book, Wisconsin Death Trip.

Attempt of the artist's detached view of what is happening in the world.

An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.

Lumiere's The Arrival Of A Train in Russian.

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

All day of St. Petersburg bohemia in 4 minutes of the film.

Neutral Ancapistan Hotel

October 5th, at 10.30 pm , after pope John-Paul II`s blessing of Lyon from the top of Fourvieres hill, Rendez-Vous Lyon got under way, a concert performed for more than 800,000 people on the banks of the river Saone. Fourvieres hill was ablaze for ninety minutes, fired on by cannons of light, fireworks and images synchronised to music being performed live on the central stage by Jean-Michel Jarre, 60 musicians and 120 choristers. A baroque feast, blending classical and avant-garde, workmanship and high-tech, past and future, Rendez-Vous Lyon will long be remembered as an exceptional event.

Incredible phantasmagoria of merry-go-round people, who are usually called the dregs of society .

Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Short film by Mary Ellen Bute

From 1967-71 Barry Spinello made films without camera or tape recorder by hand drawing both sound and picture directly onto clear 16mm leader. His interest and education (at Columbia) was in music, painting, and poetry. His effort was to merge these three: “to squeeze sound and picture out of the same tube – to weave a cloth with warp as sound, woof as picture, and meaning the fabric itself."

A cinematic meeting point between nature and technology, Doug Aitken’s unearthly short is enfolded in evocative hymns whose voices are eerily AI-generated. Glimmering phone screens might have replaced the starry Milky Way, yet the famous Venice Beach still hums with the vibrancy of human activities.

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.