White Ravens: A Legacy of Resistance

For Indigenous peoples the totem pole is the symbol of life, portraying the relationship between humans and animals. Fitting into the landscape of British Columbia, these monuments, witnesses to an ancient and powerful culture, look down at us. The group "Indians of British Columbia" singing group provide a powerful soundtrack as Haida and Tsimshian people talk about poles in their communities.

An imaginative take on the origin story of Bill Reid, one of Canada’s most iconic Haida artists.

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

Restoration is a found-footage piece honouring Beau Dick's Copper Breaking ceremony on the steps of the BC Legislature during Idle No More in 2013.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

This film joins five of the world's leading whale researchers on a scientific expedition around Canada's Vancouver Island. Spectacular photography and sound recording, both above and under water, provide an imtimate look at killer, gray, and humpback whales, and the world they inhabit. Island of Whales examines the communication, habitat, food supply and behaviour of whales. What emerges is a picture of creatures more sophisticated and complex than ever before imagined. At the end of the film, we are left with one compelling question: Can these magnificent creatures survive in the face of declining food supplies and pollution?

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.

This short documentary offers a portrait of life on a cattle ranch, for both its human and animal inhabitants. Featuring sprightly music by folk singer Pete Seeger and narration by theatre actress Frances Hyland, the film is shot through the seasons on a large Canadian cattle ranch near Kamloops, British Columbia. With hundreds of cows and calves on the ranch, there’s no shortage of work to be done: soil cultivation and crop maintenance are taken care of by seasonal ranch hands while the resident cowboys—“anxious guardians”—brand and breed their bovine charges.

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2017, a delegation from the Wind River Indian Reservation in Wyoming attempts to retrieve the remains of three Northern Arapaho children buried far from home in the school cemetery, on a journey to recast the troubled legacy of Indian boarding schools, and heal historic wounds. This documentary film is produced by The Content Lab LLC, with support from The Wyoming Cultural Trust Fund, The Wyoming Humanities Council, and Wyoming PBS.

Cyclone Tracy 40 years on, exploring the myths and revealing new perspectives on one of the worst natural disasters in Australia's history.

Gurdeep is a thirteen-year-old Canadian Sikh whose family runs a dairy farm near Chilliwack, British Columbia. They have retained their language and religion. Attendance at the Sikh temple, playing soccer with his schoolmates, and working on the farm are all part of Gurdeep's well-integrated life, but sometimes he feels a little different from the other children because he wears a turban. This film is part of the Children of Canada series.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

The most isolated metal band in the world, Southeast Desert Metal, and their Aunty Kathleen, share ancient Arrernte culture with the world through song and painting.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

Two young brothers from the Lil'wat Nation set out to ski the sacred mountain they were raised beneath, pushing both themselves and their culture to evolve. To most skiers in British Columbia, Ts’zil (Mount Currie) is a true gem. The gorgeous mountain looms high above Pemberton and is home to many stories of skiers and snowboarders pushing themselves on the classic lines of its Northwest Face. But while Ts’zil is the backdrop to life in the valley, it’s easy to forget that the history of Ts’zil goes much deeper than what's been skied or snowboarded.

The wolf of British Columbia is on a quest to master water, fishing and swimming. According to several specialists, the wolf is at the first stage of a process that could turn it into a marine mammal. How will its evolution unfold?