The March for the Lost

Chae-geun is a driver for hire with manic depression. He often talks to his son who is studying in the States and tells him he would keep his promise. He does a favor by acting as a temporary fiancé of a single woman named Jin-hee, who works as a waitress at a restaurant he frequents. Her father, who was a victim of the Gwangju Uprising in 1980, shows him a gun he stashed away 39 years ago and asks Chae-geun to help him exact revenge on those who were responsible for the May 18 incident.

Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.

Song Woo-seok is a lawyer with no clients. When his friend's son is falsely accused of a crime and tortured, he takes up the case and the course of his life changes for good.

Cheol-gi who dreams of a society that embraces justice begins classes at a night school. There he learns about political and social contradictions and the realities the people face. While doing research on factory conditions with his classmates Tae-il, Min-sook and laborers Hyun-sil and Bong-joon, Cheol-gi learns about the Revitalizing Reforms system and the improper practices in emergency measures. After the military revolution, during the election for a general student body in a move towards democracy, Cheol-gi unwittingly becomes a man on the run when emergency martial law is implemented in response by the government. Cheol-gi blames himself when hears about the deaths of Tae-il and Min-sook during the Gwang-ju Uprising from Hyun-sil and Bong-joon. Just when he and Hyun-sil try to start a new life together, Cheol-gi is arrested and put in jail. Inside the prison, he starts another move towards prison democracy.

May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.

In 1987 Korea, under an oppressive military regime, a college student gets killed during a police interrogation involving torture. Government of officials are quick to cover up the death and order the body to be cremated. A prosecutor who is supposed to sign the cremation release, raises questions about a 21-year-old kid dying of a heart attack, and he begins looking into the case for truth. Despite a systematic attempt to silence everyone involved in the case, the truth gets out, causing an eruption of public outrage.

A well-meaning but politically naive barber gets pulled into the inner circle of the South Korean dictator Park Chung-Hee, with rather baleful consequences for his hapless family. This sharp political satire covers roughly twenty years in South Korean political history, from the viewpoint of the barber's son.

The movie is a compilation of the movie "Wilderness" in which a member of the airborne unit who killed a girl during the Gwangju Democratization Movement burned himself to death with remorse and "Mr. Kant's Presentation", the story of a man who wanders around as a result of torture after participating as a civilian army.

Eunju, a teenage girl, wants to go to a high school baseball game where the boy she has a crush on will be playing.

In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho's depression becomes apparent when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho's past flood his mind.

A disgraced chef tries to restore his name by competing in a culinary contest to win the knife of Korea's last royal chef.

A young girl is caught up in the 1980 Gwangju massacre, where Korean soldiers killed hundreds, if not thousands, of protesters who opposed the country's takeover by the military the year before. Flashbacks show the girl seeing her mother shot to death in the massacre. The film spurred the Korean public to demand the truth behind the incident, and their government eventually opened previously classified files on the massacre.

20 years after discharge from the army and now an excavator driver, a former paratrooper who had been mobilized to suppress the May 18th Democratic Uprising in Korea in 1980, happens to find a skull in the ground one day. Driving his excavator, he pays visits to his former superiors one by one and realizes they were all both assailants and victims of the times.

Activist Hyun-woo is released from prison after a 17-year stint. Journeying back to the village where he spent some time as a fugitive he recalls the time spent with Yoon-hee, a woman who gave him shelter and companionship.

The citizens of Gwangju lead a relatively peaceful life, until one day the military takes over the city, accusing the residents of conspiracy and claiming that they are communist sympathisers preparing a revolution against the current government. Seeing as the soldiers beat defenceless people, mainly students, to death, the citizens are in for retaliation and form a militia.

There is HWAPYONG Restaurant with full of hopes of the family of three generations. Grandfather, the first-generation owner, and the first son, the second-generation owner, who lives as a fugitive after being branded as a communist and his wife and Cheol-soo’s mom who has to work hard by juggling work and family without complaint. The second son, Cheol-soo’s uncle, who sometimes acts like a child with an excuse of being the second son but loves Cheol-soo more than anyone and seriously cares about the restaurant. To the third generation, young Cheol-soo, family is the most precious. By the time when ‘Seoul Spring’ longing for democratization came to nothing due to ‘Retreat from Seoul Station’ in 1980, there were a series of peaceful protests in Gwangju, Jeolla Province. In warm May, a large dark cloud is looming over HWAPYONG Restaurant, the home and everything of this ordinary family of Cheol-soo, in the middle of Gwangju.

26 years ago, state troops were ordered to open fire on civilians in the city of Gwangju who were demonstrating as apart of a democratic movement. Thousands of civilians were killed. Now, a shooter from the national team, a gang member, a policeman, CEO from a large company and director of a private security outfit get involved in a plan to convict the person responsible for the massacre.

On September 4, 1984, democracy movement leader Kim Jong Tae is arrested and taken to an infamous interrogation facility in Namyeong-dong. For the next 22 days, he would be cruelly and continuously tortured in all manners by interrogators intent on forcing him to confess to communist collaboration.

After the Gwangju Democratization Movement is terminated by brute force, Jong Soo runs from the authorities and goes to Dongducheon in search of Tae Ho, an older neighbor from his hometown. He is a student at Jeonnam University and a night school teacher who is on the run because of his involvement in the Gwangju Movement.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.