A Visit to Hokusai

Few Americans realize that the Battle of Midway - just six months after Pearl Harbor - doomed the Japanese to defeat. Discover how Admiral Nimitz and Admiral Yamamoto, two leaders from vastly different cultures, designed and executed their battle plans. See the spectacular naval and aerial battles as they played out.

The Enigma of Hedonism are profile documentaries that tell the life of Heri Dono. His attitude and view as an artist that transcends canvas and time has had an important impact on artists and artists in other fields in their work. Not only that, his exploration of the various and types of working mediums and the experience of participating in various prestigious exhibitions in the world has made him dubbed as the greatest artist of Indonesia today.

John McNaughton's spotlight on George Condo and his art. The film, which follows the progress of Condo's large-scale oil painting Big Red over the course of one year, features an appearance by Allen Ginsberg, as well as footage of Condo collaborating with William S. Burroughs on paintings the two made together at Burroughs' Kansas home in the mid-1990s.

A film about art, mathematics, friendship, and social deprivation. Bertil lives in a decommissioned railway station in Skåne. He is internationally renowned, with monumental works displayed across Sweden, yet to gather the courage to walk to the local grocery store he needs a few glasses of wine under his belt. He is powerful, imaginative, humorous, and a resourceful storyteller. He jokes and performs for those around him whenever the opportunity arises. His sculptures are geometrically and mathematically calculated, and his tools are meticulously organized — but his life can be chaotic. One day, something happens: Bertil’s sculptures have disappeared.

An illuminating examination of Sofonisba Anguissola's iconic masterpiece as a window into the artist's full oeuvre while painting a detailed picture of Sofonisba's journey and the world she lived in to become one of the most accomplished female artists of her time. At a time when women were typically regarded as objects or madonnas to be represented in art, Sofonisba Anguissola (1532/5-1625) was something very different indeed: a highly respected painter and teacher who interacted with the likes of Michelangelo and Anthony van Dyck, and whose remarkable portraits were enthusiastically sought by many of the most powerful figures of the age. The Chess Game by Sofonisba is a remarkable group portrait of three of her sisters and a maid. It is widely considered to be one of her most compelling and innovative artworks: a painting whose many subtle levels of meaning offer a fascinating window on Sofonisba, her family, and contemporary 16th-century values.

Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.

A documentary on New York City’s biggest public art project ever, an installation called “The Gates” by Christo and Jeanne Claude.

With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.

Born in Livorno, Tuscany, artist Amedeo Modigliani (1884–1920) lived a short, tormented life, narrated here from an original point of view, that of his young common-law wife, Jeanne Hébuterne.

The tumultuous history of the Louvre Museum, founded in 1793, and its fabulous art collections, an immortal testimony to the destiny of France and all of Europe.

To mark his fiftieth birthday in 1988, London's Tate Gallery staged a major retrospective of his work. Melvyn Bragg joined David Hockney for an exclusive private view of the exhibition and they were filmed discussing pictures from all stages of Hockney's remarkable career.

Like many other young men of his generation, after Pearl Harbor was attacked, Aldo Giannini joined the Marines with little idea of what lay ahead. After training, he was quickly deployed overseas and fought in the bloody Battle of Tarawa, surviving with a shrapnel injury and the haunting memory of witnessing the loss of 3,250 U.S. lives. He went on to fight in other battles and returned home after 3 intense years of service. Nearly eight decades later, he still questions if winning the island was worth the price.

From 1937 to 1948 gold, silver, platinum and diamonds were looted by the Imperial Japanese Army during its campaigns throughout Asia-a treasure trove worth billions whose location has remained unclear until today. Rumor had it that hundreds of tones of gold were buried in the Philippines. In an exciting investigation of the 20th century history, director Egmont R. Koch embarks on the trail of Japan’s stolen gold, a journey that takes him to the Philippines, Hong Kong and Japan. He discovers documents that prove that the disappeared loot was used to finance the Cold War in Asia and to corrupt nationalist Japanese politicians.

"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici

Deeply thoughtful and illuminating, DRAWING A LIFE reveals the details of artist Geoff McFetridge’s life and work while delving further into the universal questions of what makes a fulfilling life and how to live with intention in the limited time we all have.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

A biography of Vincent van Gogh using only images and the letters he wrote to his brother Theo.

Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.

A visceral documentary focusing on the Slovenian collective art movement known as NSK ('Neue Slowenische Kunst') and its varied branches: 'Laibach', 'Irwin', and 'Red Pilot'.

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.