Höhenluft

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

A mesmerizing showcase of artistic excellence, where intricate choreography and cinematography tell a story of pure, unbridled joy and creativity. Its about honoring the past, recognizing the present and looking into the future.

Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.

A performance film following the young ballerinas of Na Ponta dos Pés, an art school founded by Tuany Nascimento in Rio de Janeiro.

Shadow / Self is a film project that combines dance, fashion and music to explore the darker side of the feminine psyche. A story of human struggle told with movement, beauty and light.

AKIN examines the tension between collective synchronicity and the hidden inner reality of the individual. One protagonist describes her overwhelming feelings, while three other figures appear as aesthetic mirrors of her inner states. In a world that demands perfection and smooth functioning, everyday life continues like a mechanical system even when the inside has long overflowed. The bodies increasingly come under pressure until the structure discharges in synchronous, yet faulty movements. The encounter with an antagonist opens a moment of silent perception and raises the question of whose emotions are actually at work in the space. AKIN reveals a raw, deeply human choreography between adaptation and authentic expression.

Four days without sleep, jumping into Morpheus World is her only chance.

A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

MONEY is a dance film that explores the monotonous cycle of corporate 9-to-5 life. The dancers represent employees in a workplace that twists into a corporate nightmare, exposing the rigid and dehumanizing nature of the corporate world. Through movement, the film highlights the tension between control and rebellion, questioning the structures that define success and productivity that the workplace outlines for many everyday. with a sharp and unconventional movement vocabulary, MONEY challenges capitalist ideals and the way they shape daily life. The film breaks traditional boundaries, using dance to portray a system that demands conformity while suppressing individuality. Its rebellious undertones push against societal norms, making more room for fun and play.

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

“The Keeping of Bees” is a short informative dance film that brings light to one of the many effects human behavior and climate change has had on a very important species; bees. Bees are responsible for pollinating a very large portion of our vegetation and food. It is estimated 1/3 of every bite of food is a product of bee pollination. Utilizing audio from NPR Weekend Edition with Scott Simon, we learn through Frank Aletru the many struggles beekeepers are facing today by combining dance, humor, and education.

A fashion influencer collapses on set and falls into a dream disturbingly real. As she struggles to escape, she finds herself drawn closer to a truth she’s never dared to face.

A short dance narrative about the isolation of the Covid-19 pandemic.

A wordless woman rises to confront herself through a dance of self-liberation. Featuring choreography and dance by Carolyn Pavlik, along with an original soundtrack by Robin Guthrie, the film evokes a mystical story-line of struggle and release.

When he sneaks into a Simb—a festival where men dressed as lions dance to the rhythm of the sabars—Assane, a quiet young boy, sets in motion more than a simple punishment. What he experiences sends him on an initiatory journey through fear, myth, and ancestral transmission.

Kevin Laird is a Beverly Hills school teacher by day and a mystery man by night. Using his lambada dance moves to first earn the kid's respect and acceptance, Kevin then teaches them academics. But when a jealous student exposes Kevin's double life, his two worlds collide, threatening his job and reputation.

A group of dancers positions themselves between the ancient and modern ruins of the island of Crete, Greece.

When returning to a childhood home, traditions reveal themselves like a cyclical nightmare.

Kuk-hee, a by-the-book district office civil servant, has lived a flawless, tightly scheduled life. With a promotion imminent and her daughter's future secured, everything is going according to plan. Until it all unravels—her promotion is taken, her daughter disappears, and an unexpected emptiness sets in. Searching for balance again, Kuk-hee ends up in the last place she ever expected: a flamenco dance studio.