A bitter battle is fought between Australian and Japanese soldiers along the Kokoda trail in New Guinea during World War II.
Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.
British Air Ministry short film highlighting the need for the public to stay clear of aircraft wreckage during World War II.
Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.
Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.
Vivid colour footage of the wartime devastation wreaked on Bristol and Bath - and the barely affected village of Chew Magna.
Joseph Vilsmaier Two-part TV movie focuses on the tragic events surrounding the sinking of the Wilhelm Gustloff, a German passenger ship, at the end of World War II. On 30 January 1945, Captain Hellmuth Kehding was in charge of the ship, evacuating wounded soldiers and civilians trapped by the Red Army. Soon after leaving the harbor of Danzig, it was hit by three torpedoes from the Soviet submarine and sank in less than an hour.
Based on the true story of Joseph and Rebecca Bau whose wedding took place in the Plaszow concentration camp during WW2. Using his artistic skills in the camps, Joseph stays alive and helps hundreds to escape. Miraculously, he finds love in the midst of despair. Years later, when called to be a key witness in the trial of the brutal Nazi officer who tortured him and killed his father, Joseph is thrust back into vivid memories of the Holocaust. Now, he calls upon this love and resilience of spirit to face the ultimate demon of his past.
A 9th century woman of English extraction born in the German city of Ingelheim disguises herself as a man and rises through the Vatican ranks.
The tower block area "Am Kölnberg" has a bad reputation. People who - for any number of reasons - ended up on the edge of society, live here alongside refugee families and immigrants from all over the world. Unemployment, drug abuse and prostitution are part of everyday life for many of them. The film accompanies 4 people over a period of two years and portrays their life at "Kölnberg" with ups and downs. One thing they all have in common: The dream of leading a fulfilled life, far away from "Kölnberg".
Docudrama about the Soviet occupation of a Finnish village in the fall before the Winter War.
When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.
Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.
A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
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On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).