5 Euros

Ferdinand, Battlefield Rat

King's Fool

Catfish Blues

Horse Sun

Mendelssohn is on the Roof

A young woman lives with her sleeping husband. Prisoner of her loneliness, she refuses to accept that this man is only a memory.

On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.

100 papiers

Laurence au marché

When the tsunami comes, he is strangely enough perfectly calm. In the boundary between life and death, the details become so important.

Living in a strict and very regulated world, a man has to hide his homosexuality and dance, dance, until the moment he finds the strength to face these rules and reveal who he really is.

Les filles, l'âne et les boeufs

An old man recounts: I have always worn glasses. Even in the camp, I managed to keep them. We feared the night almost as much as the day. One night, they brought in a newcomer, a bearded man. His drawings over the days had become essential to us. The guards did not understand that only death would prevent him from drawing. All that remains of the camp is this piece of wall, with his last drawing, which he called "Ligne de vie (Lifeline)."

Le petit vélo dans la tête

In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

One winter, a ravenous ogre terrorizes the land of King Balthasar. Meanwhile, a blizzard is brewing in Léon’s heart. Braving the cold, this adopted bear cub runs away from home. Léon has many an adventure during his travels. He befriends a hedgehog and an elephant, confronts an ogre, and sets Princess Molly Gingerbread free. His courage and integrity eventually lead him back to his family. In the end, the cub earns everybody’s respect.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.

A woman is forced by her husband to be shut-up for ever. But when she listens to nature's song, she refinds her own song and the hope of a different life.

Gelatin