Gal Costa: Programa Ensaio

Shot in 1971 during Gal Costa's famous concert "Gal Fa-tal" in Rio de Janeiro's Sucata Nightclub, Ivan Cardoso's eponymous Super-8 short film shows the singer both in and off stage, interlapsed with scenes from Cardoso's "Nosferato no Brasil".

New work by singer Samuel Mariano, recorded live at the PE 60 Convention Center - Cabo de Santo Agostinho - PE.

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Bonde Do Tigrão - O Baile Todo

Jerry is a tutor at an orphanage. On the first day of vacation, the boys go to the beach with Professor Teobaldo and find a skeleton and a treasure map. Word spreads and a rush for gold begins. On the one hand, Jerry and Neyde, television colleagues; on the other, the director of the station, Indalécio, and his lover Aphrodite; finally, the evil Rock Trombada, in the company of scientist Bertini and Daniel. On Treasure Island, the three camps promote mutual sabotage. After many confusions, Trombada flees with the treasure to the ship's cemetery but they are surrounded by the boys and Indalécio. It's the final war. But it is Jerry who will take the wealth in order to improve the situation at the orphanage.

Chico Buarque: Caravanas – Ao Vivo

The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

Sexo é Bom

Djavan - Ária Ao Vivo

The personal trajectory and the international career of the singer, guitarist, and composer Badi Assad.

Laerte, a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world.

Set in Rio de Janeiro's most notorious favelas, the underprivileged youth share their perspective on the extremely popular, pornographic favela funk music with respect to their personal (love) lives, situated in a lawless subculture of drug gangs, machismo, violence and sex.

Tete Barilove is dead, but her body is nowhere to be found. Beni, a longtime fan, finds clues that could lead her to the truth about Brazil's most famous 90s singer.

Zeca Baleiro - Canta Zé Ramalho Chão de Giz Ao Vivo

Brazilian singer Rita Lee narrates moments about her life, from her childhood to the meeting with Roberto de Carvalho. The documentary is permeated with excerpts from the singer's concerts, with songs sung entirely.

Rita Lee - Biograffiti: Baila Comigo

Rita Lee - Biograffiti: Cor de Rosa Choque

Time Will Burn

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.