D.O.A. Live at The Jockey Club

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

This 126 minute DVD features raw, vintage live performances by Bad Religion, The Circle Jerks, The Weirdos, and The Dickies. These performances, originally released on VHS as ""Best Of Flipside Volume 1"" and ""Best Of Flipside Volume 6,"" capture all the aggressiveness and energy of the L.A. punk rock scene in the mid-eighties. The DVD also features bonus live tracks from Dead Kennedy's and D.O.A. Among the classic tracks included are Bad Religion's ""Politics"", Circle Jerks' ""Coup D'etat"", Weirdos' ""We Got The Neutron Bomb"" and Dickies' ""You Drive Me Ape.

Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”

A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.

Good Charlotte - The Video Collection : Little Things, The Motivation Proclamation, Festival Song, Lifestyle of The Rich & Famous, The Anthem, Girls & Boys, The Young & The Hopeless Special Bonus Features: Discography, GC Evolution (Photo Gallery), Trial TV, The Click

Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

Alejandro Escovedo’s music ranges over an emotional depth that embraces all forms of genre and presentation in search of the healing truth of honesty. His earlier days in the punk band, The Nuns has inspired an ongoing rootsy edge, making his songwriting unpredictable, from hard edged rock to ballad-like emotional expressions. In this episode, Alejandro reveals the man behind the music with his backing band, The Sensitive Boys.

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

In 2004 a group of friends took the stage at a small coffee house in Dekalb Illinois with the sole purpose of pissing off everyone. Surprisingly, enough people liked what the band was doing that they continued to play music under the name Weekend Nachos. This documentary simply tells the story of Weekend Nachos.

Before there was ever a 108, Inside Out or Quicksand, there was Beyond. And in 1988, Tom Capone and Kevin Egan took their seven song demo recorded in their hometown of Holbrook, NY and brought it to Some Records on the Lower East Side of Manhattan. From there, everything took off. WHAT AWAITS US, A Beyond Story is a documentary that, not only chronicles the history of the New York Hardcore band, Beyond, including their origin, their adventures and their demise after recording what is now considered an iconic record, but also depicts Egan's journey from New York to California as he tries to figure out where Beyond fits into his life today. The film includes interviews with members of the band, along with interviews with members of Quicksand, Gorilla Biscuits, Youth of Today, Judge, Burn, Bold and more.

A documentary that explores the challenges that a life in music can bring.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.