The Knockout

Eleventh episode in 'The Telephone Girl' 2-reel comedy series.

The crotchety dean of Pinkham University blames the "bad behavior of the school's female students on a dress shop owned by Helene, and informs her he's shutting her shop down. Meanwhile, her boyfriend Napoleon has invented a plaster that restores youth. The dean accidentally sits on the plaster and reverts back to his younger days when he himself used to chase college girls. Complications ensue.

Slacker Ichiko gets into a fight with her younger sister and begins to live on her own, working the late shift at a 100 yen shop. On her way home, she passes a gym and meets boxer Kano who trains there in silence...

Charley's battle-axe mother-in-law breaks up his marriage and tries to separate him from his son. Charlie abducts the boy for a father-son outing to the beach. The mother-in-law pursues and comedy ensues.

John Bentley hates New York City, because of an unhappy romance as a young man, but his son, Ronald, tired of living in Iowa, is determined to take up residence in Manhattan. The elder Bentley therefore conspires with his New York manager, William Workman, to involve Ronald in so much trouble that he will gladly return to the sedate life of an Iowa burgher. Arriving in Manhattan, Ronald strikes up an acquaintance with Meg, a telephone operator, whose brother, Jimmy, has come under the evil influence of Jerry. Jerry and Jimmy rob a wealthy woman, and Ronald is charged with the crime on circumstantial evidence, keeping quiet in order to protect Jimmy.

Dick Vernon (Montagu Love) lives in New York but hasn't succumbed to the city's vices. When his vacation comes up, he goes to Boonsburg to visit his uncle (George Bunny) and aunts (Emily Fitzroy and Annie Laurie Spence). He finds small-town life far more wicked than living in the big city. A theatrical troupe comes to town, and Dick finds his match in chorus girl Mazie Chateaux (Helen Weir). Dick's uncle inherits a huge sum of money and insists that his nephew take him to New York and entertain him. Dick, knowing what his uncle expects, takes him through a number of wild adventures, but he is happy to put all that behind him and settle down with Mazie. (Janiss Garza)

الدلوعة

الستات ميعرفوش يكدبوا

Roberto Soto is a renowned Spanish science fiction screenwriter. He has won a Goya award and his screenplays are internationally acknowledged. However, his producer is tired of science fiction and believes that, in Spain, he has to write films of different genres, something more intellectual and existential: social dramas, enriching values, philosophy, etc. With these arguments, the producer demands him a screenplay that has nothing to do with science fiction. As a result, Roberto has to decide whether to write what he's good at and was born for, or to do what he has been told. Roberto is forced into resigning and doing what he is paid to do: he locks himself in the living room with his typewriter in order to write a screenplay according to what is expected, with the urgency of the producer's visit, who wants to check up on his work. That same day, Luis, Roberto's best friend also turns up at his house, with an idea for a film about mutant octopuses, convinced Roberto can make ...

The oldest remaining film in Korea sets in the 1920s for enlightenment

A woman goes to a fortune teller to get her problems sorted out.

Tom is chasing Jerry again. In a panic, the mouse runs into the doghouse of little Tyke, the bulldog. Right next to the sleeping Tyke sleeps Spike, his father. Tom unthinkingly snatches the puppy out of his house. When Spike wakes up and sees this, he delivers a stern warning: Stay away from my boy, or else. Jerry realizes that sticking close to the boy is the best way to repel his feline tormentor, but Tom is not about to let the mouse evade him so easily.

The lady of the house has gone out for a few hours, leaving her baby in the care of a stereotypical 1950s teenager, who immediately begins calling her friends. Tom and Jerry must call a truce to their constant chases as the baby, unsupervised, continually gets loose. When the baby escapes out the front door, Tom and Jerry chase it to a construction site, where they frantically try to keep it from harm.

A young mouse arrives at the Parisian headquarters of the King's Mouseketeers with a letter from his father, François Mouse, asking Jerry to teach the lad to be a Mouseketeer. Lessons begin for the French-speaking boy, but although he's charming, he's hopeless and when he gets into a scrape with Tom, Jerry sends the garçon packing. As the boy is leaving Paris, he hears the noise of fighting, and he returns to find Jerry in a fight for his life with Tom. Champagne corks, a paint brush, and a barrel of wine are props in the lad's attack. But has he lost all his clumsiness?

The city of Anyburg decides its traffic situation has gotten out of hand, so it puts the automobile on trial. The trial (conducted in rhyme) starts with a car that was in a hit-and-run accident, followed by a sports car whose sins are peeling rubber and general hot-rodding, followed by a heap, on trial for lack of safety. Next, a number of safety equipment designers testify that, despite their best efforts, the accident rate keeps rising. Through all this, the defense lawyer declines to ask questions. A highway designer bemoans the problems on his beautiful roads. At last, defense. He shows a number of scenarios, pointing out that the real problem isn't the car but the driver. Everyone left the courtroom, declaring the car not guilty, and drove politely again, for a little while.

A hapless loser (with the surname of Loser) undergoes misadventures with avaracious clergy, a tired horse, and a walking granary (among other things) on his road to collectivized happiness.

The guests of a birthday party divulge their intimate side. The bathroom mirror affords us with a view of the personal catastrophes of the party guests.

The history of the chihuahua told by a chihuahua in cartoon form. Bonus content on the Beverly Hills Chihuahua disk.

A clerk, unable to stop playing the game of Diabolo, strays in and out of precarious situations while playing with the toy.

Silas Hayseed arrives in town and proceeds to put up a hotel noted for its 'tables,' which are all made of hard wood. The country yokel is shown to his room and divests himself of his best Sunday-go-to-meetin' clothes. His little bunch of whiskers that adorn his chin seem to be as proud of him as his Melindy Jane, whom he left in Grassville, back over yonder. He is finally undressed and tumbles into bed, resolving meanwhile to dream of the good prices he will realize in his produce. While pondering over matters, he looks around and discovers a Ghost standing in the middle of the room. Silas becomes scared, begosh, and leaping out on the floor begs the Ghost to do him no harm. The Ghost suddenly vanishes and the Hayseed is about to jump into bed again when Satan appears from under the sheets and scares him to such an extent that he is willing to promise him even a box of fresh rooster eggs if he will only go away.