The theatrical events revolve around a comic frame about Adel (Youssef Shaaban), the handsome young man who works at the airport as an air monitor, who is linked to the engagement of Mona (Mervat Amin), the beautiful air hostess, but he loves the air hostesses ’rhythm in his love. The countryside is based on his cousin (Adel), and he is fascinated by the beauty of girls who love (Adel), and tries to imitate (Adel), but in his rural way, which generates funny comic scenes.
Love triangle in a campus with a blonde girl that really seems to not consider the "other" girl as an obstacle. Who will make it? And actually who cares when parties, sport games and lots of fun are available?
An American banker goes to a small Balkan country looking to invest his bank's money and shore up the country's weak economy in order to maximize the return on their investment. Towards that end he befriends the country's king and they come up with a scheme to get the Crown Prince married, a prospect not particularly appealing to the Crown Prince--until he sees the beautiful cabaret dancer the pair has picked for him to marry.
A wolf with a Southern accent walks by just as a teacher is getting fed up with his class and walks out. Unfortunately, the class consists of three junior clones of Droopy, who manage to try his patience.
Gold-digger Molly marries the heir to a fortune, but things go badly when he is disinherited and starts working as a ditch digger.
Produced and directed by George Albert Smith, the film shows a couple sharing a brief kiss as their train passes through a tunnel. The Kiss in the Tunnel is said to mark the beginnings of narrative editing. It is in fact, two films in one, hence the 2 min length. Firstly, the G.A. Smith film here for the central cheeky scene in the carriage. The train view footage however is Cecil Hepworth's work, entitled 'View From An Engine Front - Shilla Mill Tunnel', edited into two halves in order to provide a visual narrative of the train entering the tunnel before the kiss and then leaving afterwards. More information about the filming of the phantom train ride can be found searching for the Hepworth film separately.
Sons of Sheikh "Salem" the supervisor of "Mahmoud bek" farm succeeded in high school, So he decided to bring them into Cairo University. Sheikh "Salem" resorted to "Mahmoud bek" to help him, but he opposed the idea of teaching the children of peasants, so the wife of Sheikh "Salem" decided to sell her gold and sent their children "Ibrahim" and "Ali" to the university.
On the night of the wedding of Mohamed (Shukry Sarhan) with Adela (Souad Hosny), a letter arrives to Mohamed benefits that he was promoted and so moved to work in the Jabal "Ataka", but her mother, Aziza (Mary Munib) opposed her daughter from going with her husband to his place of work ,so Mohamed travels alone, Adila challenged her mother and follow her husband.
Haniyeh has not seen her father since childhood and therefore does not know how it looks and forced her father's friend Esmat Al-Darmali to lie to her and tell her that he is her father Esmat Al-Damanhouri instead of her real father, and therefore Haniyeh continues to treat Esmat Al-Darmali as his father.
Bigfoot checks into Hotel Transylvania to get some sleep but keeps getting disturbed by a zealous witch maid.
A vaudeville routine: two denizens of the Bowery dance while under the influence. She's wearing a light dress with a full skirt. He wears a white sport coat and tie. Both have hats. On a small stage, she approaches him gingerly, leaning forward. He grabs her close, she leans into him, and he waltzes her around.
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then?
Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".
An American soldier falls in love with a French maiden but their romance is thwarted when the Yanks return home. Years later she comes to America to put on a fashion show and find her long lost lover.
Ambrose likes his mother's assistant, but when she inherits a fortune, the obstacles to their relationship keep mounting.
Villains launch Fatty and Mabel's beachfront house into the ocean.
After a dastardly villain steals milk from a baby, he tries to put the heroine through a laundry press.
A spoiled young rich girl is forced by misfortune to fight for survival in the slums and alleys, where she becomes involved with all manner of unpleasantness.
Sailors in repose on an island paradise seemingly have no worries of war or danger — until a playful gesture is interpreted as an act of wilful aggression. Soon, the innocent act of slight slapping becomes a relentless and unforgiving orgy of open-palmed face-smacking.
This early animated short depicts a Stone Age-era circus.