Hasta el último trago... Corazón

In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Emiliana, a black kitten from Barcelona, has led a remarkable life. Having weathered a divorce, multiple relocations, and a move to a new country, she now dreams of returning to her beloved Spain. Her journey reflects resilience and a longing for home amidst the many changes she has faced.

April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

Viacrucis Migrante

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Oaxaca - Zwischen Rebellion und Utopie

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

Lake Patzcuaro, located 230 miles west of Mexico City, is one of the highest and most picturesque bodies of water in Mexico. The heritage of the indigenous peoples of the area, the Tarascans, still prevails, such as the production of lacquer-ware handicrafts, and the means of hunting and fishing, the latter which uses nets shaped like large butterfly wings. Although most current day Tarascans are Roman Catholic, they have not totally abandoned their indigenous pagan gods. On Janitzio, one of the many islands in the lake, stands a large statue commemorating José María Morelos, a prominent figure in Mexican liberation and a great benefactor to the Tarascans. Janitzio is also the inspiration for many famous paintings. The town of Tzintzuntzan just inland from the lake's shore acts as the regional center for the market and for festivals.

This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.

The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

The communities of San Martin Tilcajete and San Antonio Arrazola in Oaxaca, Mexico are best known for being the main source of the "Alebrijes" (wood carving) in the state; a relatively new but powerful tradition in mexican folklore. In both communities, there is a family that claims they're father started this tradition in all the state of Oaxaca.

Más que un Juego