The Murder Corps

A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader.

Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.

As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.

Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.

Japan's Most Chivalrous

A warring Yakuza awakens to Christianity and becomes an evangelist. The film is modelled on the real-life "Mission Barabbas," a Christian evangelistic group of ex-Yakuza.

Blue in Isezaki

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.

The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?

An American with a Japanese upbringing, Chris Kenner is a police officer assigned to the Little Tokyo section of Los Angeles. Kenner is partnered with Johnny Murata, a Japanese-American who isn't in touch with his roots. Despite their differences, both men excel at martial arts, and utilize their formidable skills when they go up against Yoshida, a vicious yakuza drug dealer with ties to Kenner's past.

A dangerous mobster threatens the life of a businessman's mother in this thriller. As Ryuji oversees the building of a bridge in Japan, a powerful gangster plans to stop the project. By any means necessary.

The Hyodo-gumi boss—part of Tendokai, Japan’s largest yakuza syndicate—has been brutally murdered. Kazuma Washio (Hitoshi Ozawa), the head of the Washio-gumi and Tendokai’s wakagashira (underboss), is convinced that Yoshinari Myojin (Sho Aikawa), a former Tendokai wakagashira-hosa now running Tokyo’s underworld of thugs and mafia, is behind the killing. Around the same time, Tendokai's 5th-generation chairman Katsushige (Hakuryu) orders Washio to secure a woman named Nagi Toyama (Akane Hotta). Washio sets out with his men, Okita (Yasukaze Motomiya) and Date (Hideo Nakano), but they’re ambushed by a group of heavily armed youths. Barely escaping, they manage to bring Nagi to their hideout—only to discover she’s a key player in a power struggle over the Tokyo Casino Project. And so begins the greatest conflict yet, entangling yakuza, mafia, street gangs, the police, and even the state itself—

Kagari (Akira Kobayashi), a scout and overseer of Ginza bar hostesses, receives an urgent phone call from Sawako, a hostess at the bar Rie, and rushes to Tokyo International Airport to meet her. When he arrives she is gone. At the bar he learns that Tabuchi, a steady customer, had been quite friendly with Sawako and may know something. Tabuchi claims he knows nothing and Kagari lets the matter drop. Over time Kagari learns from Takijima, a businessman, that Sawako is in a hospital in Yokohama. Takijima explains that he found her in Singapore working as a street girl and brought her back to Japan. Sawako had lost her memory after being subjected to narcotics. Kagari swears to find the person responsible.

Aboard a night ferry in the Inland Sea, Masaaki Kagari (Akira Kobayashi), a young tough, who supplies hostesses to night spots, encounters Yuko, his ex-sweetheart. He considers himself a private underworld sort of policeman-in the com- munity of such women. Yuko, now a bar proprietress, is under the protection of Tahei Daigo, a sinister gang boss who in his quest for chances of good investments abroad plans to offer young girls to rich foreigners. Asked to gather attractive girls by Yuko, now Tahei's puppet, Masaaki collects many only to find them mysteriously missing...

The Shineikai, headed by Goro Numata, was doing his best in partnership with the Taiwan Mafia. In order to suppress the runaway, Reiniro Masaki, the second chairman of the Wuxia Association, stands up with the men in the back cup.

The martial arts leader is kidnapped. At the same time, an uneasy shadow attacks Reiniro Masaki, the second generation of the Wuxia novels. When a new conflict breaks out again, Masaki's own shocking past becomes clear.

A martial arts executive, Hashiguchi, was attacked by someone. In addition, danger creeps into the body of Reijiro Masaki, the second generation of the Wuxia Association. And finally, even Masaki's stripes have been destroyed ... Who is the true identity of the mysterious man, the bat, who moves in the shadow of the conflict? Also, what is the unexpected relationship between Dr. Tonomura and bats ...! ??

The second generation Todo-gumi Wakato Hattori is taken to Johoku Medical College, where there are many suspicions of drugs due to angina. Hattori asks Masaki to act as a young head just in case. However, dissatisfied with the procedure, Ejima teamed up with the Mafia and started aiming for Masaki's defeat! !!

Shabs and weapons leaked from a US military base in Bando-gumi's Shima. It was due to a plot of the Kenyukai aiming at the Bando group's Shima. The Kenyukai sends a young head, Takenouchi, to Masaki, the second generation of the Wuxia Association, who tries to stop the plot.

The 8th installment of the "New Third Gokudo" series, which is a visualization of the work of Kazuhiko Murakami, which depicts the stories of men living in the world of gangsters. In the wake of the shooting of Todo-gumi Wakato and Hattori, disturbing movements began to appear around Masaki, the second generation of the Wuxia Association. Masaki, who explores the situation, finds out the existence of the mysterious organization "Sakurakai", but behind it, there is an even bigger one!