A successful office worker who is happily married has a brief affair with a sultry co-worker in this romantic melodrama. His wife eventually wins him back from his forbidden lover.
A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra'(wedding dress worth Rs. 2.5 Lakh), she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.
Bharat is a patriotic Indian who's father was an Independence fighter. He goes to London and is disappointed to see that the NRI's staying there criticized everything Indian and were wasting their life away. Prithi (Siara Banu) is one such NRI who falls in love with Bharat but refuses to go back to India with him.
A ruthless gangster named Don is killed during a scuffle with the police. Since only DSP D'Silva knows of this incident, he recruits Vijay, who is a spitting image of Don, to replace the original Don and infiltrate his gang. D'Silva plans to nab the entire gang, but when he dies during a raid, the secret that Vijay is not Don is also buried with him.
The wealthy doctor Shashikant marries a servant girl, the much-loved Gauri. When an old flame makes makes contact with Shashikant, pride jeopardizes their marriage and the lives of their children.
Hasmat, a devout Muslim, is asked to repair a vehicle that transported the ashes of Mahatma Gandhi. However, the situation soon complicates when his community is shaken by violence.
Shivajirao, a TV reporter, gets a chance to be the Chief Minister of Maharashtra for a day after being challenged by incumbent Chief Minister Balraj Chauhan. After his one-day stint turns out to be a huge success, his life spirals out of control and he is embroiled in political intrigue.
Ajay Kumar (Warsi) is the newly appointed, honest SSP of Lucknow police. Of his family only his mother (Mulay) remains, and she inspires and motivates him to do the right thing. Ajay tries to crack down on the UP mafia, but more often than not is betrayed by information-leaking local police officials. His boss tries to aid him by shielding him from political pressures, and by getting sanction for
Kumar, a thief by profession poses as the son of Raja Bahadur Singh to accept an invitation to the island of Sir John Locksley. The guests include K.P.W. Iyengar aka Romeo, Dr. Dubari, Colonel Columbus, and Countess Sylvia Rasmussen. A stunned Kumar finds out that all of these invitees are master criminals. Kumar's guise does not fool anyone, nevertheless Sir John permits him to stay on. The reason why John has invited them is to find a successor to take his place as he is dying of cancer. He feels that one of his invitees can be trusted to take his place and for this he has arranged for them to steal a ruby (Shalimar) worth 135 crores of rupees. This gem is placed in a secure room within his palace, which is alarmed, and guarded. He challenges one of them to steal the Shalimar - but if anyone fails then they are killed by the security system. Pitted against such veterans, it looks like Kumar has got himself into a bind that he may not come out of alive.
Following a wild party, a married man meets with his friends in order to try and remember his indiscretions.
Badal is a victim of the 1984 riots, brought up by a terrorist. Badal aims to kill the treacherous police officer who had killed his parents and his loving sister. He takes shelter in the house of an honest police officer and falls in love with a minister's granddaughter. Will he be able to accomplish his revenge?
Nicknamed as "Hitler", Jailer Siddhanth Kumar Sharma is feared and respected at work as well as at home where he lives with his wife, a former lawyer, Sheila; younger brother, Amar; two younger sisters and his son. He would like Amar to find employment for himself on his merit rather than use his contacts, but Amar is unable to secure any employment. Then wealthy Daulatram insults Siddhanth, accuses him of using Amar as a ploy to woo his daughter Priya, so that the Sharma family can inherit his wealth. An angered Siddhanth confronts Amar, who grabs a knife and warns Daulatram. Shortly thereafter, the police arrest Amar for killing Daulatram. Siddhant disbelieves him, but Sheila decides to don her black gown and represent her brother-in-law, against the overwhelming evidence that has surfaced against him. It is now up to Sheila to not only defend Amar but also attempt to find out the reason behind Daulatram's death.
An ex-gangster re-enters the world of violence after his wife is murdered by a serial killer.
Lamington Road on Bombay's Western Railway is the nearest railway station that takes one to Kamathipura, notorious for it's red-light, in particular, and a crime-prone area in general.
Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi's husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.
Poonam, a traditionally brought-up young woman, is to marry Prem, a groom chosen by her uncle. Poonam and Prem's faith and love are to be tested however, when an accident occurs and Poonam might be scarred for life.
Widowed Mrs. Saraswati Batra (Waheeda Rehman) has brought up three sons with a lot of care and love. Her eldest son Om (Anil Kapoor) is very honest and diligent; her two other sons Jai (Fardeen Khan), and Jagdish (Abhishek Bachchan) also live in the same house. this is their story
Based on the Naxalite–Maoist insurgency in the Bastar district of Chhattisgarh, an army officer leads a mission to eradicate a group of Maoist separatist insurgents responsible for the massacre of a military troop.
Amidst strictly enforced curfew by Bombay Police during December 1992 following Hindu-Muslim riots, Suryakant - one of four siblings from Malad's Malvani slums, heads home.
A timeless Bengali classic, this drama explores the history of mankind - fights, riots, wars, death, destruction, exploitation, molestation. Through the story of 40-year-old Sitanath’s suicide, Sharad and Vasanthi force the audience to introspect and analyse their self-centred and monotonous lives.