Como Fotografei os Yanomami

A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.

Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.

More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.

Resilience is dedicated to those whose lives have been fragmented by intergenerational trauma, but who wish to break the cycle.

What if you are made to feel ashamed when you speak your "mother tongue" or ridiculed because of your accent? "Pidgin: The Voice of Hawai'i" addresses these questions through its lively examination of Pidgin - the language spoken by over half of Hawai'i's people.

For millennia, Native Americans successfully stewarded and shaped their landscapes, but centuries of colonization have disrupted their ability to maintain their traditional land management practices. From deserts, coastlines, forests, mountains, and prairies, Native communities across the US are restoring their ancient relationships with the land. As the climate crisis escalates these time-tested practices of North America's original inhabitants are becoming increasingly essential in a rapidly changing world.

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

The fourth film in Alanis Obomsawin's landmark series on the Oka crisis uses a single, shameful incident as a lens through which to examine the region's long history of prejudice and injustice against the Mohawk population.

Les six saisons des attikameks

The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.

Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.

This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.

'Falas da Terra' sheds light on the plurality and the struggle of the indigenous people for the right to exist, in a historical rescue of valuing their cultures.

In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.

This short experimental documentary challenges stereotypes about Indigenous people in the workplace. Featuring portraits set to a powerful poem by Mohawk writer Janet Marie Rogers, the film urges viewers to go beyond their preconceived notions. As I Am is a celebration of Indigenous people's pride in their work and culture.

A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.