Pidgin: The Voice of Hawai'i

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RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Taro grower and Native Hawaiian practitioner Jerry Konanui works to propagate and save from extinction the numerous varieties of kalo (taro), a staple of the Hawaiian diet. Jerry’s mission is also to protect kalo, revered as the elder sibling (Haloa) of the Hawaiian people, from the risks of genetic engineering.

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.

Quarterback Tua Tagovailoa, a generational football talent, embarks on a journey that began from a childhood family prophecy. Follow Tua as he attempts to overcome a career-threatening injury and rise as one of the most uniquely skilled players in the history of the game.

Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.

A documentary on the origin, meanings and uses of the gesture. The shaka sign is reputed to be over a century old, but its origins are the stuff of myths and legends. It turns out that kupuna (Hawaiian elders) have kept the story secret for almost a century. Why? They didn't want it told incorrectly or commercialized. But given advancing age and a world in need, they decided it was time to share the story.

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.

Big Wave is a documentary directed by Walt Mulconery and published on May 25, 1984 that presents the types of outdoor and risky sports present on the west coast of the United States such as paragliding, surfing, skydiving, bmx or the BASE jumping together with others, going from Hawaii to Texas through California to present them.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.

A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.

Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.

This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.