Vincent Gallo as Flying Christ

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

A man is confronted by parallel versions of himself as he contemplates his life choices.

Feinstein's "Spring and Winter" explores themes present throughout her oeuvre. The narrative is derived from Giambattista Basile's "Sun, Moon, and Talia" (1634), which is considered the original version of the "Sleeping Beauty" story. Fairy tales, kitsch, and the intricacies of femininity commingle as Feinstein performs as a paper doll, maiden, and crone. The spaces between the dichotomies of fiction and reality, young and old, sexual and pure are disclosed within the scope of feminine identity within this film.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.

Two large, ignorant bullies ruthlessly pursue a small, brilliant boy in this young adult Roald Dahl short story.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

A stunt pilot comes across a prototype jetpack that gives him the ability to fly. However, evil forces of the world also want this jetpack at any cost.

A top lad recollects fights, friends and painting his toenails with his dad.

On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

Thousands of years ago, aliens visited Earth and fathered the Pumaman, a man-god with supernatural powers entrusted by a gold mask with the ability to control people's minds, which in present-day London, falls into the wrong hands.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

Four children learn the origins of Halloween customs while trying to save the life of their friend.

In this ostensible murder mystery, the genre elements are merely a pretext for the series of haunting (if inconclusive and only mildly erotic) homo-social encounters he stages. Starting with the familiar premise of the absent woman, so popular with Downtown filmmakers, Vogl drains his storytelling of any hints of noir stylization. Instead of nighttime scenes, slick streets, and dark alleys, he shoots documentary-style on the nondescript, sunlit streets of Brooklyn, Manhattan, and City Island in a manner that casually references the art-film angst of Michelangelo Antonioni.

A lonely young man works for the government as a catcher of invisible birds.