Vincent Gallo as Flying Christ

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

Feinstein's "Spring and Winter" explores themes present throughout her oeuvre. The narrative is derived from Giambattista Basile's "Sun, Moon, and Talia" (1634), which is considered the original version of the "Sleeping Beauty" story. Fairy tales, kitsch, and the intricacies of femininity commingle as Feinstein performs as a paper doll, maiden, and crone. The spaces between the dichotomies of fiction and reality, young and old, sexual and pure are disclosed within the scope of feminine identity within this film.

In this short slice of transgressive punk cinema, a woman achieves accidental revenge on her boyfriend after he cruelly kills and eats the fish-stick that she had magically brought to life. Despite this tragic event, not all is lost for Lolita, as she soon meets an unexpected new friend.

A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.

A man is confronted by parallel versions of himself as he contemplates his life choices.

The story of Adam and Eve is told through stop-motion paper cut-outs.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

Analía and Andrés are neighbors but barely know each other. On the night of December 31, 1999, both are forced, for different reasons, to spend New Year's Eve alone.

Someone waiting, a letter arriving, an unexpected kiss in the garden, a doorbell ringing, someone on the street waving with their suitcase in hand. One-by-one camera montage. No reshooting or interruptions.

A woman returns, after a long time, to an empty house to confront her memories.

Can love transcend boundaries, trapping us in a seemingly inescapable cycle? The fantasy of being one with each other becomes flesh and destruction. A couple stripped of everything and everyone, fused to the point of losing their sense of self, faced with the possibility of a third party interfering, she decides to have an abortion.

A skin flick

This Super 8 short film was discovered on May 22, 2024, at the Paraguayan-German Cultural Institute in Asunción. The film is the result of a workshop produced by the ICPA's film department in 1987, led by filmmaker Marie Louise Alemann, a pioneer of experimental cinema in Argentina.

EHHHH! is a Super 8 film edited in-camera and projected with a tape delay from two projectors onto a screen, which travels through the parking signs of Buenos Aires, where the letter E dialogues with a sound composition / phonetic poetry of voices saying "eh", a typical Argentine filler word

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)

The hands of Narcisa Hirsch, a nonagenarian, open another Super 8 film cartridge to load a camera. In what seems like a ritual of passing on a legacy, the grandmother and her grandson, Tomás Rautenstrauch, watch a film of a meadow that gradually fills the frame.

A woman plays with three creatures in a mysterious world. As she breathes life into them, they feed on her life essence. What began as a game transforms into a total surrender, where each being she creates drains her elixir, leaving her with a rush of pleasure in return.