The Woman and the Car

Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.

November 2017, North of Paris : H. Reiner-Onet cleaning company workers are fighting an exemplary battle. This 45 days strike, one of the longest in the history of the French railway, led by these men and women, ended in a decisive victory against two giants, Onet and the SNCF. One of the most impoverished sectors among railway workers, they had no previous experience with striking or organized struggle. How did they pull such a victory ? Their dermination to fight was undoubtedly the key to winning, but so are the links they forged with revolutionary activists who brought with them a tradition of fighting for workers against employers.

Despite the 1960s free-love and alternative culture, many women found that their lives and expectations had barely altered. But by the 1970s, the Women's Liberation Movement was causing seismic shifts in the march of the world's events, and women's creativity and political consciousness was soon to transform everything - including the face of publishing and literature. In 1973 a group of women got together and formed Virago Press; an imprint, they said, for 52 per cent of the population. These women were determined to make change - and they would start by giving women a voice, by giving them back their history and reclaiming women's literature.

A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.

The compelling story of an extraordinary woman's journey from her birth in a paper thin shack in the cotton fields of Georgia to her recognition as a key writer of the twentieth Century.Walker made history as the first black woman to win a Pulitzer Prize for her groundbreaking novel, The Color Purple.

In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

“I ask my mother about her past feminist commitment, and why she made a child on her own. She doesn’t answer me. I want to pierce the mystery of my mother. I discover the women’s movement of the 1970s, an activist feminist cinema, and the woman filmmaker that I am changes. I meet and testify to the transmission of a memory of feminist struggles through collective cinematographic practices.” Anna Salzberg

Janet Sharrock has two children and Brent “Buddha” Barnes has three; the pair has a meet-cute at the local RSL, marry and unite their families, Brady Bunch style. Now grown up, Becky (famous for being one of only 80 people in the world with Highly Superior Autobiographical Memory), Jessica (a comedian living with depression), Brendan (who aspires to take over Buddha’s repair shop), and young Kylie and Dylan laugh, cry, contemplate existence and dream big with their parents, finding joy and stability in one another as they face immense change.

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

In this short documentary, we take a look at the history and future of roller derby in the Netherlands, while also touching on subjects such as image and the rise of men’s teams in this traditionally female sport. We tried to capture the Roller Derby culture with grungy 16mm film overlays and an eclectic mix of colors, switching from black and white, back to color. This, combined with the use of stock footage, the Whip It trailer and choice of music really help to sell the vibe and sensibilities of roller derby.

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.

This documentary features sexologist and writer Betty Dodson as she assembles a group of women to discuss the appearance and purpose of female genitalia. The discussion is followed by some group self-stimulation exercises and full-body massages.