The Life and Hard Times of Susie P. Winklepicker

Verde-Esperanza: Aborto Legal na América Latina

Lina Mangiacapre

A film producer must convince his misogynistic long-time colleague, the film director, to opt for the feminist costume for the superhero film they are developing.

The life of Sara Winter - former Brazilian feminist and founder of FEMEN in Brazil - told by herself; since the troubled youth, through the years of prostitution and feminist militance, until the discovery of motherhood and God.

In the months leading up to, and days following Ireland’s historic referendum to repeal the eighth amendment, investigative journalist Ellie Flynn follows the story of the landmark vote to legalise abortion. Ahead of the referendum, Ellie travels to Ireland to meet activists and campaigners from both sides of the debate to try and understand the impact of the Law for young Irish voters and discovers that this incredibly divisive and emotionally charged issue is not as black and white as it seems. She meets a young ‘No’ vote campaigner who believes he's only alive because the amendment stopped his mother from aborting him in her youth and speaks to a woman who made the tragic decision to travel to the UK to abort her much wanted daughter after discovering she would be in extreme pain for the few moments she was likely to survive. On May 25th, Ireland voted Yes to the constitutional amendment to legalise abortion and Ellie returned to discuss the reaction.

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Compared to girls, research shows that boys in the United States are more likely to be diagnosed with a behaviour disorder, prescribed stimulant medications, fail out of school, binge drink, commit a violent crime, and/or take their own lives. The Mask You Live In asks: as a society, how are we failing our boys?

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

A tribute to the poet Patrizia Cavalli

Elas da Favela

The South Shields-born animator Sheila Graber looks at the growing gender bias in toys for girls and boys. At the stroke of midnight on Christmas Eve, monster killing machines and robots fight each other and toy soldiers in khaki battle against pink clad, cute dolls, threatened animals and fairies. The toys gradually find their traditional roles reversed and harmony returns to the fictional killing fields of a Christmas home.

Fragments

An expository and poetic documentary that invites thinkers and artists from different areas to analyze the construction of images that affect the female body in issues that cross genders.

Les Princes

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

'Trailblazers in Habits' is an intimate portrait of a group of American Catholic nuns, the Maryknoll Sisters, who have accompanied the disenfranchised in their struggle for social justice. By turns tragic and joyous, yet always inspirational, this insightful documentary is a revealing portrait of these courageous women. A moving and absorbing chronicle that spans 100 years and several continents, the film celebrates the intelligence and tenacity; the love, compassion and generosity of these early feminists.

After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young woman really only “emerges” in her fantasies, where she can escape from her dull, normal life.