No musical group has had as profound an impact on pop music as The Beatles. Tony Palmer's groundbreaking documentary gives us an intimate look at one of the most influential groups in musical history.
In the summer of 1963, François Mitterrand was going through a deep existential crisis. His political career was at a standstill and, after 19 years of marriage, the couple had grown apart. It was at this point that François Mitterrand met the woman who was to give new meaning to his life. Anne Pingeot, aged 19, was to become the companion of a lifetime, a woman who would be with him throughout his rise to power and who would remain by his side until his last breath. For the first time, Anne Pingeot has agreed to allow the fragments of this passionate love story — hundreds of letters and a diary — to be shown on television, before being donated to the National Library.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
The Tet Offensive during the Vietnam War, the Civil Rights Movement, the May events in France, the assassinations of Martin Luther King and Robert F. Kennedy, the Prague Spring, the Chicago riots, the Mexico Summer Olympics, the presidential election of Richard Nixon, the Apollo 8 space mission, the hippies and the Yippies, Bullitt and the living dead. Once upon a time the year 1968.
President Kennedy's birthday celebration was held at the third Madison Square Garden on May 19, 1962, and more than 15,000 people attended, including numerous celebrities. The event was a fundraising gala for the Democratic Party. Features Marilyn Monroe singing to JFK.
A documentary about Edie Sedgwick featuring photos of her and clips from Factory Girl, narrated by her real-life friends and loved ones, including her brother Jonathan, cousin John Sedgwick, roommate Danny Fields, artists Richie Berlin and Gerard Malanga, photographer Nat Finkelstein, designer Betsey Johnson, and others.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the citys streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.
The amazing story of the animograph, a machine created in France in the sixties by the cartoonist and self-taught inventor Jean Dejoux (1922-2015), whose creation was intended to revolutionize the animation industry.
Filmmaker Morley Markson shows Abbie Hoffman, Jerry Rubin, Allen Ginsberg, Timothy Leary, and other '60s rebels, then and now in a follow up to his 1971 film "Breathing Together: Revolution of the Electric Family."
A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.
A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
One man's search for the prolific funk legend, Sly Stone.
Fifty years ago, on Sunday, 2 March 1969, Concorde flew for the first time. Starting from this inaugural flight, the film goes back in time to the origin of the conception of Concorde.
A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.
Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.
PBS documentary examining the work of Jack Paar.
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The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.