The Perfect Murder

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

Told through the tales of love of a retiring film projectionist and a late-blooming actress, the short documentary delves into the journey of Manila’s oldest movie theater from grandiosity to obsolescence.

A sheriff's shootout turns into an adventure through the wondrous world of film.

Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.

Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences…

So many Israelis still wax nostalgic about that old Friday afternoon ritual, back in the times when television had just one channel. Everyone would watch the Arab movie of the week, but did anybody ever wonder how Israel’s official TV station was able to transcend hostile boundaries to obtain these films, and why it insisted on showing movies made by “the enemy”? The Arabic-language movie from Egypt let some of us escape back to our original homeland, and let others peek out from our “villa in the jungle” and catch a glimpse of our neighbors across the border. But most of us didn’t really want to see the people whose culture, anguish, and aspirations were reflected on our screens. “Arab Movie” brings us the stars and the songs, the convoluted plots, and that fleeting moment when we shared the same cultural heroes as everyone else in the Middle East. But this film about the richness and intensity of Egyptian cinema also raises some disturbing questions.

A recreation of the interview with Stanley Kubrick that Playboy magazine published in its September 1968 issue and that has become essential when approaching the reflections and theories that led the director to shoot one of his masterpieces.

Documentary about two young Spanish filmmakers who challenge Jean Luc Godard to a tennis match, and in the way to the game, they will visit his colleagues, and friends in order to know him, and offer a new approach to his work and his personality.

A night at the movies turns into a nightmare when Michael and his date are attacked by a horde of bloody-thirsty zombies. On top of the success of the Thriller album and Michael Jackson's electrifying performance at Motown 25, the short film/music video for "Thriller" established Jackson as an international superstar and global phenomenon. Thriller is credited for transforming music videos into a serious art form, breaking down racial barriers in popular entertainment, popularizing the making-of documentary format and creating a home video market. The success transformed Jackson into a dominant force in global pop culture. In 2009, it became the first music video inducted into the United States National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant". "Thriller" was also Jackson's seventh and final U.S. Hot 100 Top 10 hit from the Thriller album. It was the first album in history to have seven U.S. Top 10s.

Love Letters to Cinema is a collection of ten "letters” in the form of short films (4 minutes each), written and directed by ten outstanding Israeli directors. The films and the directors conduct a dialogue, whereas the directors create a short film with their unique voice, bringing to the audience a group of work that reflects on cinema.

While rehearsing the annual play, a clerk tries to regain the attention of his beloved, in a comedy of equivoques.

Alice and Paul both study at the Sorbonne University in the Latin Quarter. After a course, Paul, who is attracted to Alice, starts talking with her. They share the same ideas about philosophy and today's philosophers but while they go on with their conversation they realize that as far as cinema is concerned they are not at all on the same wavelength

Alice is a girl devoid of affection seeking refuge in the images shown in the movie screen of a theater that his father manages in the Venezuelan Andes. This creates improbable stories in which she is the protagonist...

In his award-winning debut feature film, director Ahmet Ulucay portrays the innocence of childhood and the lure of the cinema for two teens in a small Turkish village. Working for a watermelon seller by day, Remet spends his evenings trying to rebuild a film projector with his friend Mehmet. Both have big dreams to be famous film directors one day.

An intimate portrait of the pioneering artistic collective Grupo de Cali, whose work is now considered a fundamental part of Colombia’s film history.

Werner Herzog interviews guests on the art of filmmaking.

A humorously semi-factual account of the history of cinema.