I'm Not One Of 'Em

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.

A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.

Performer and writer Leah Purcell talks with five dynamic Indigenous women - Rosanna Angus, Kathryn Hay, Deborah Mailman, Cilla Malone and Tammy Williams - about what it means to be Aboriginal in Australia today. In a series of individual interviews and at one lively dinner party, the women share their experiences and opinions with extraordinary candour. The result is a passionate and challenging exploration of black identity and a celebration of five very different lives.

Within the concrete confines of a life sentence, one man rediscovers his capacity for love.

Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.

Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie's legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Robert, a fan of three French actresses is a bald-headed, potbellied man on the fifties, but fully devotes himself to them, and sometimes works for them without being recognized. But those star actresses find him a simple stalker fan and make fun of him, but later recognize he is sincere and genuine.

Baby Blues

Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.

La Lingerie concerns four women Miu, Donut, Celine and CC who’s lives and loves are linked through a sexy lingerie shop where Donut works.

Set in Dublin in 1967, the story of feisty woman, who along with her seven children, learns to cope with adversity after the unexpected death of her husband.

Jim Jansson is a woodcarver who gets retired.

A young man visits his parents in Norway with his pregnant Spanish wife. Expectations run high, but in the short ride from the airport, it becomes clear that this won't be the harmonious family occasion everyone hopes for.

An ad agency copywriter, ordered to push a new brand of beer to black ghetto kids, resigns from her job and goes searching for her racial identity.

In the town of Utskor in the region of Bø, northern Norway, we find memories of a political past intertwining with domestic, familial moments during the midnight sun.

A documentary celebrating Lee Miller, a model turned photographer turned war reporter who defied anyone who tried to pin her down, put her on a pedestal or pigeonhole her in any way. The film's director, Teresa Griffiths, and editor, Clare Guillon, won the 2021 British Academy Television Craft Awards for Factual programs.

Footsteps of horses and sheep. I run to the forest in a hurry. But I never reach to the forest of my destination. I'm remain in the original place, the place before the tale. After the destination (forest) disappears gradually, aimless footsteps are left on the stage. "Being on the way to somewhere" becomes a story of film in itself. The white light placed in the center of picture is continuously changing its role and prolongs the tail of the tale.

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...