The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.
Derren Brown investigates the power of social compliance by persuading an unwitting member of the public into believing that they have pushed someone to their death.
Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.
Eine Schauspielerin versucht zu weinen
Meet the growing, worldwide community of theorists who defend the belief that the Earth is flat while living in a society who vehemently rejects it.
A documentary about healers from the Swiss canton of Appenzell.
At the far end of the Alaskan peninsula, for filmmaker Roman Droux a childhood dream comes true. He discovers together with the bear researcher David Bittner the universe of wild grizzlies. The two adventurists face bears at smelling-distance, experience the struggle for survival of a bear family and witness dramatic fighting scenes. Driven by a desire to explore the unknown the film tells a personal story of wilderness, framed in breathtaking pictures of unique creatures.
The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.
Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.
Do you want to relax, meditate or sleep deeply? Personalize the experience according to your mood or mindset with this Headspace interactive special.
A short form exploration of the very visceral and disorienting world of living with severe anxiety and depression, the world’s biggest health problem.
Based on real near-death experiences, the afterlife is explored with the guidance of New York Times bestselling authors, medical experts, scientists and survivors who shed a light on what awaits us.
The real place where the penguin congress takes place is also the most fictional place on this planet where you can stand on your own two legs. Here, even the animals can talk. This land of dreams and nightmares is called Antarctica. In this desert of ice surrounded by a stormy sea, a few dozen human beings also live. Using sophisticated instruments, they observe the worrying changes affecting our world: the hole in the ozone layer, climate change, and so on.
The shooting of this peasant chronicle in the Gruyère region of Switzerland lasted a whole year, from July 1989 to July 1990.
This film deals with the issue of mandatory military service in Switzerland. For four months, from February to May 1990, filmmaker Jacqueline Veuve and her team filmed a platoon engaged in basic training at Colombier, Switzerland.
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
Je vous écoute
Swiss artist Markus Raetz has a sixth sense for apprehending the extraordinary. His works are as astonishing as a magician's sleight of hand: they shake up visual habits and show things from a completely different perspective. To further surprise the viewer, this perceptive Swiss artist makes use of the most diverse techniques, materials and media. His installations and sculptures change their appearance according to their own movement or that of the viewer contemplating them. For example, a rabbit becomes a man in a hat, evoking Beuys, or a yes turns into a no. This document presents us with a highly personal view of the world and the man behind these exceptional works.