A Night at the Follies

A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.

Aspiring rock star and broken-hearted bartender at a burlesque club takes over the stage and sings his feelings to a perplexed audience. Through his awkward performances, he gets over his breakup and opens up to someone new.

Warner Baxter plays the ambitious producer of a burlesque show who rises to the big time on Broadway. Alice Faye is the loyal burleycue singer who helps make Baxter a success. His head turned by sudden fame, Baxter falls under the spell of a society woman (Mona Barrie) who has theatrical aspirations of her own. She marries Baxter, then convinces him to produce a string of "artistic" plays rather than his extravagant musical revues. The plays are flops, and the woman haughtily divorces Baxter. Faithful Alice Faye, who'd gone to London when her ex-beau was married, returns to the penniless Baxter. She and her burlesque buddies team up to pull Baxter out of his rut and put him on top again.

A Hollywood heartthrob helps a small-town girl achieve stardom.

Two sharpie promoters (Don Barry and Frank Jenks) put on a show they believe is so bad it will not play more than one day and they therefore will not have to pay the long list of investors,i.e, suckers and buyers. But one of the investors dies intestate and his interests pass to the state. The governor's secretary (Lynne Roberts) engages new talent (the Four Step Brothers, Guadalajara Trio, St. Clair & Vilvoa, Dolores and Don Graham, et al) and a new orchestra (Jan Savitt), in order to make the show successful and a profitable investment for the state. Barry (in another of the vast majority of his films in which he was not billed as Don "Red" Barry), who has fallen in love with the first-billed Roberts, reforms and buys up the surplus stock.

A movie director needs a script girl . A strip girl, misunderstanding the job title, shows up.

A writer decides to join a burlesque show so that she can write an authentic expose of the business.

The story of a beautiful model from the flesh-pots of Tokyo.

A filmed performance of a burlesque show at the Follies Theatre in Los Angeles, California.

Vic Vicers is the master-of-ceremonies of a burlesque-variety show with a carnival setting. A slapstick comedy sequence, featuring low-rent comics Miller & Leeds, involves a judge, a district attorney and some female defendants of less-than-sterling character. Lonnie Young dances a strip and the comics return with a routine in which one of them is cheated out of his money. Romo the Clown does some unfunny stuff mixed in with the dancing of Rusty Lane, Dora Lee, Micky Miles, Lynn Miller and Lorna Rhodes and a song by Joy Cheryl, and Vicers ends it all as a crackpot doctor examining one of the strippers in a burlesque-skit.

In this musical comedy set to 1950's rock 'n' roll, three women are working in a burlesque club. They are more than content with their jobs but things start to change when the management starts to make demands. Their sleazy manager, who seems to have a wandering eye for the hard working girls, tries to convince them to show more flesh. Although he assures them that it will bring in more business and thus create more money for them, they refuse. What will happen when the pressure is on for them to "take it off"?

Two entertainers destined for the big time are mismatched in a casting office from two very different online contests. Tony, a stripper from New York, is cast in an Off-Broadway musical and needs to trade in his tear-away trunks for tap shoes and tights. Anthony, a naive musical theatre enthusiast from Montana, needs to decide if he can strip all the way down just to stay in town. Hilarity ensues as they realize that "to make it" they're gonna have to learn some new tricks.

Mama Rose lives to see her daughter June succeed on Broadway by way of vaudeville. When June marries and leaves, Rose turns her hope and attention to her elder, less obviously talented, daughter Louise. However, having her headlining as a stripper at Minsky's Burlesque is not what she initially has in mind.

Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.

Harvey hires Mary to seduce his rival Larry and help him gain his revenge. But Maria and Larry fall in love and things become complicated.

Lili St. Cyr is about ready for bedtime, which of course she does in the nude.

Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.

The Saxophonist

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.

After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.