The Lonely Island Presents: The Unauthorized Bash Brothers Experience

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

Two street basketball hustlers try to con each other, then team up for a bigger score.

Carl Allen, a guy whose life is going nowhere, signs up for a self-help program based on one simple covenant: say yes to everything…and anything.

Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris. He attempts to meet with a business contact but soon becomes lost. His roundabout journey parallels that of an American tourist, and as they weave through the inventive urban environment, they intermittently meet, developing an interest in one another. They eventually get together at a chaotic restaurant, along with several other quirky characters.

Ben has been training hard for a year in order to participate in an important competition.

Ray does not know what he is doing at a party full of strangers.

Ah, to see ourselves as others see us. Michael's mid-life crisis was a flame out. Left his wife. Bought a Porsche (used). Now, lonely and looking to make amends, he's seeking forgiveness and counsel from his angry daughter. Laurie sees right though him.

Two drive in waitresses try to find a wealthy boyfriend.

A weapons deal between a white supremacist and a member of the Islamic State blossoms into more.

Jūzō Itami's debut short film, concerning a group of unique young people in the high economic growth period who are into games with rubber band pistols.

During the holiday season, when the animals of the Central Park Zoo are preparing for Christmas, Private, the youngest of the penguins notices that the Polar Bear is all alone. Assured that nobody should have to spend Christmas alone, Private goes into the city for some last-minute Christmas shopping. Along the way, he gets stuffed into a stocking

Starring Mike Brayden, Yvette Angulo and directed by Ryan Casselman. Birthdays can be tough. Often a reminder that our lives are moving at rapid speed, and while you may have aged a year older over night, you realize that not a whole lot else has changed. That is certainly the case with Jeff, a greeting card creative who has the 'birthday blues' and struggles to find someone to share his birthday with.

Edgar and his schoolmates put on a production of Shakespeare's Hamlet such as the townsfolk have never seen.

Due to the recent arrival of undocumented immigrants, the city of Simpletown holds a special session city council meeting to determine if the town should officially ban the newcomers.

After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

After experiencing her first heartbreak, Anais declares war on all the boys in 6th grade.

Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.