Clark Griswold is on a quest to take his family to the Walley World theme park for a vacation, but things don't go exactly as planned.
It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.
Margo is an ex-stripper who meets her long, lost father in Mexico. She looks after him in the waning days of his life, with the help of a traveling projectionist. The father passes away, telling of the loot from a botched bank robbery that he buried years earlier. The two get jobs in town as their relationship grows and they search for the treasure on the weekends. But while the treasure seems to bring them together, it also seems to be tearing them apart.
Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.
Mother's lucky day takes a strange turn when a lightning strike leaves her with telekinetic powers. She finds more and more ways to use her new ability, but soon things get a little out of control.
A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.
It's Sunday, and as usual a wife is nagging her husband, this time about the whereabouts of the Sunday newspaper which she's sure he's hiding from her. The husband is just as irritated by her nagging since this time it is interfering with him trying to take a shave and brush his teeth. Their argument extends to what belongs to whom and what each person contributes to the household. They end up doing things and making remarks just to irritate the other. Their argument reaches a whole different level when a pretty neighbor gets peripherally involved.
Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.
A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".
Fleeing New York City, a failed marriage and a fragile mental history, artist Robert Forrester moves to small-town Pennsylvania. There he becomes fascinated with the simple domesticity of a beautiful neighbor, watching her through the windows of her home --- until she invites him in for coffee. He is drawn into a relationship with the young woman whose boyfriend goes missing; Robert becomes a murder suspect, gradually sensing he is the target of a larger plot.
This sensual drama depicts the story of an inseparable couple trying to cope with the obstacle in life.
Much to the disapproval of his snooty children, a wealthy widowed attorney takes up with a beautiful but "lower-class" woman.
The true story of Saartje Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.
On a cork oak farm deep in the village of Aldeia Velha, the warm Portuguese sun beams down on the white walls of a family home. Life is sweet here. Cherish these moments spent together.
An unsentimental Hungarian film about the edgy relationship between a middle-aged woman and her young, restless daughter-in-law when the son-husband goes to sea for six months.
An intimate portrait that tells the story of Anthony, a lonely history teacher, and his adopted daughter Luna. Unexpectedly Sam, his ex boyfriend, shows up one year after their separation looking for closure or perhaps trying to revive a relationship that once was.
This documentary follows three couples to see how things turned out several years after their weddings. The film presents challenging ideas about relationships, as it answers the question: Why is marriage so difficult?
A woman's nightly domestic rituals—from putting her baby to bed to making love—unspool in a playful parade of surreal, straight-from-the-id images. Preserved by the Academy Film Archive in 2013.
In a tiny house in the town of Destor, near Rouyn-Noranda on Highway 101 North, Scott, a repeat ex-con in his fifties, lives quietly with Jessie, his girlfriend 23 years his junior. He spends his time meditating and doing 3D puzzles while Jessie spends hers collecting dolphin figures, dancing to “Summer Love” and smoking weed. Wanting to make a documentary on Scott’s social reintegration, social worker Anick moves in to their house for a few days. While the shoot starts off smoothly, with several funny and touching interviews of Scott and Jessie, things quickly derail. Anick seems more interested in Jessie than Scott. The documentary’s subjectivity is quickly replaced by a growing attraction between Anick and Jessie. The continuous presence of the filmmaker in the enclosed space, coupled with the exasperation Scott feels at being constantly recorded, is causing the pressure to escalate. Scott could lose it at any time.
A mad scientist invents a formula to control Puerto Rico. A little pig named Chona drinks water from a pond contaminated with the formula and grows to gigantic proportions, chasing and killing people.