Refugee

My Legacy follows Helen as she explores the often tenuous relationship between a mother and daughter made more complex by the legacy of residential school.

Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.

The everyday life of a Belo Horizonte lower class neighborhood.

An unearthed time capsule consisting of footage of the maker's youthful self – an “exquisite corpse” with nature as collaborator. Bourque buried random out-takes from her first three films (all staged productions dealing with her family) in the backyard of her ancestral home (adjoining the grounds of a former cemetery) with the ambivalent intentions of both safe-keeping and unloading them (she was relocating). Upon examining the footage five years later she found that the material contained images of herself captured during the making of her first film. That discovery seemed handed over like a gift and prompted the making of this film, a metaphysical pas-de-deux in which decay undermines the image and in the process engenders a transmutation.

Director Susanne Ullerich had often asked herself, “How will I earn money [as an artist]?” Because she couldn’t easily answer this and many other questions, she decided to interview other like-minded people. The interviews all take place in a studio, where the goal was to place the interviewees in a sort of job interview situation. The interviewees have many different nationalities and backgrounds and were subjected to a litany of questions covering the themes of work, art, satisfaction, wishes, creativity, study and their personal life situations. The goal was not to build a personal profile of each individual, but rather to present a forum to discuss each of the questions.

A documentary about the people of Cape Polonio, a vacation resort, and what these people do once the tourist season ends.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

The advantages and disadvantages of adolescence in a poor urban neighborhood are examined in a series of candid interviews on the daily lives of Black and Hispanic teenagers, primarily girls.

A documentary on the role and effect of the judiciary in an urban housing crisis. Looks at the disputes that occur daily in the Bronx Housing Court. Explores the reasons behind the disputes, which deal primarily with housing abandonment and decay.

Shows efforts on New York's Lower East Side to revive abandoned buildings through the work and persistence of the local, predominantly Latino residents.

In How to Meet a Mermaid, the sea becomes a haven for mankind, locked in its struggle with its 'indifferent universe'. Lex, Rebecca, and Miguel each have their own reasons to lay their lives in the hands of the capricious waters. The question remains, however, whether they will find what they so anxiously seek underneath the surface of the waters.

SWIMMING LESSONS documents the rituals, hopes, and doubts within an evangelical support group for teenage girls, blending Pentecostal ceremony with stories of two of its members; one who wants to learn to swim before she loses her sight, and one whose mother drowned in a flood.

A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.

As artists and visual architects, husband and wife Massimo and Lella Vignelli have been producing unique and groundbreaking work as brand designers. This up-close documentary reveals their major influence in reshaping our visual environment.

The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.

A car with a loudspeaker on its roof is driving through southern Lebanon. The old man at the wheel is calling for people to join a demonstration to support their brothers and sisters who’ve occupied a tobacco company and are now being besieged by the army. His words come from the past, as he’s referring to events from 1973 – events that few remember today. Neither the protests made by the tobacco farmers from the south against the large landholders’ monopoly nor the strike for better working conditions by workers at a Beirut chocolate factory are anchored in the country’s collective memory. All recollection of this social movement was erased by the civil war and society has since been marked by deep sectarian divisions.

In Oct. 2006, the U.S. government decided to build a 700-mile fence along its troubled 2000-mile-plus border with Mexico. Three years, 19 construction companies, 350 engineers, thousands of construction workers, tens of thousands of tons of metal and $3 billion later, was it all worth it? When Arizona recently enacted one of the most extreme immigration laws in the country, the Obama administration responded by filing a lawsuit against the state. This dispute was merely the latest symptom of a greater national problem: the lack of a comprehensive, workable U.S. immigration policy. In its place, lawmakers have resorted to a series of half-measures, the most expensive of which — the U.S.-Mexico border fence — extends through the desert 150 miles south of the Arizona state capital.

In 2011, Pulitzer Prize-winning journalist Jose Antonio Vargas outed himself as an undocumented immigrant in the New York Times Magazine. 'Documented' chronicles his journey to America from the Philippines as a child; his journey through America as an immigration reform activist/provocateur; and his journey inward as he re-connects with his mother, whom he hasn't seen in 20 years.

InRealLife takes us on a journey from the bedrooms of British teenagers to the world of Silicon Valley, to find out what exactly the internet is doing to our children.