Outlaw Rule

The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for her funeral and discover that the family ranch is now in the hands of Morgan Hastings, a corrupt businessman who wants to exploit the area around the town.

U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.

On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.

The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face -- and Tom will stop at nothing until he brings him to justice … and exacts vengeance.

Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.

Notorious shootist and womanizer Quirt Evans' horse collapses as he passes a Quaker family's home. Quirt has been wounded, and the kindly family takes him in to nurse him back to health against the advice of others. The handsome Evans quickly attracts the affections of their beautiful daughter, Penelope. He develops an affection for the family and their faith, but his troubled past follows him.

Bandits lead by Matt the Mute enter a bar and kill multiple people. Randy Bowers comes to town and is framed by Matt the Mute, who is working with the sheriff (who doesn't know Matt is really a criminal). Randy escapes with the help of the niece of the dead owner of the bar. Bowers ends up running from the sheriff, and ends up in the cave in which the bandits have their hide-out…

Gold miner Edd Denmeade loves Lucy Watson, the sister of the official mining claim recorder. Denmeade suspects Watson of killing his father, who after a poker game was shot by a gambler "who shuffles with one hand." The real murderer, Sam Spralls, has convinced Watson that he killed Denmeade and threatens to expose him unless Watson assigns him all the gold claims. Spralls assembles a band of killers to jump the claims when Watson complies. Eventually, Denmeade learns the identity of the killer when he sees Spralls shuffle a deck of cards. He forms a vigilante party and rids the community of Spralls and his gang.

A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

One-armed war veteran John J. Macreedy steps off a train at the sleepy little town of Black Rock. Once there, he begins to unravel a web of lies, secrecy, and murder.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.

After arriving at his new, remote Army outpost, Capt. John Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide – a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.

Lightning Carson's nephew has been falsely accused of murder. To get in with the gang, Lightning poses as a Mexican. He also appears as himself making his costume changes at his sister's ranch. Just as he about to bring in the gang, a henchman finds evidence of his masquerade and arrives to expose the hoax.

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.