In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.
José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.
Art Johnston and Pepe Peña are civil rights leaders whose life and love is a force behind LGBTQ+ equality in the heart of the country. Their iconic gay bar, Sidetrack, has helped fuel movements and create community for decades in Chicago's queer enclave. But, behind the business and their historic activism exists a love unlike any other.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
When darkness falls, temperatures rise in these six stories about late night confessions, intimacy for sale, high speed hookups and full moon frissons. But when the sun comes up and reality reveals itself, will it have all been worth it? The short films are: Thirst (2018); According to Mateo [Según Mateo] (2017); Hardcore (2016); Beast [Séptimo] (2011); Petit Ami (2017); Skai Blue (2017).
Anna and Marie are two women who could possibly love each other. Marie wants to be open to this new overwhelming feeling, even if she has to throw away all that she has ever held to be right. Anna on the other hand, enjoys the attention from this gentle soft girl Marie, who seems to love her, not in spite of but also because of her sharp edges. It could all be so easy if it weren't for Zoe, the woman who has been at Anna's side for years.
Vincent has a secret that forces him to stay away from the people he loves. But when he meets Gustav, love strikes Vincent. As their love grows, so does his fear of letting his secret destroy his new lover.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
A woman prepares for bed, but realizes that something may be lurking in the shadows.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Karen is resigned to a life of suburban ennui, the dreams of her youth a distant memory. On an autumn afternoon as she struggles to get her baby to sleep she is disturbed by a door-to-door Salesman. Desperate for adult companionship she engages with the enigmatic Salesman. He claims that he can sell her something that will radically change her life; he offers Karen, an opportunity to fulfill her long forgotten dreams and ambitions.
A son loves his mother, because her hands were the first to welcome him. At her funeral, he steals the hearse and drives away. During the journey, the boy reminds the last weekend they spent together. Agnese takes care but doesn’t love, she’s lost in her thoughts and doesn’t let anyone get closer, not even Giulio. Two days to understand each other, two days to love each other, and to leave in the end.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Ray discovers his La-Z-Boy recliner is a one-minute time machine. Will he learn from his mistakes or is he destined to repeat them forever?
Visual haiku dealing with still and living life, ghosts and revealing light.
Benjamin visits Tokyo to see Miko. At her place, he finds a photo that caught his attention. It was taken at the winery 40 years ago. There are Benjamin, his deceased wife, and Miko's parents in it. Miko starts to tell a story behind it.
Alban lives in a ski resort with his mother. Each night, the teenager slips away to meet up with Julien – this boy who curiously has the same name as the hero of the novel Alban is devouring.