Vertical Shapes in a Horizontal Landscape

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

Short experimental documentary about legendary post-punk venue Crystal Ballroom, St Kilda.

A completely new story based on existing footage from the series Columbo.

A video collage centering around flying drops, in space and on earth, along with coloured rivers, a sense of curiosity, joy and hommage. Watching extreme summer weather, outside the filmmaker's window under construction in Berlin inspired the impromptu video. Her scenery and sound recordings are intertwined with memories of selected film-, video and photo materials from colleagues and agreeable archives. Nature sound combined with Paul Hubweber's Trombone Variations and the vocal music piece Neptune's Bellows by trio Sverdrup Balance tie all elements together.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

Short experimental film.

Experimental short film.

Short experimental film.

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.

This film was provoked by a trip on the overhead railway through the centre of Chicago in 1991. I filmed a twelve minute piece facing forwards in the direction we were driving. Three years later I came across the film material once more. The memory of it had faded, and its images were just as vague. So I worked on the material using a bleaching bath. The complex, cuboid-like architecture of the city came out in a test of the substantial and then sank back into the minority - dissolving to a lump of cosmic dust. I was first able to identify a projection of the experienced, within the undercurrent of disintegration. (Jurgen Reble)

An experimental film to see how much information the eye can take in from continuous single frame images and from single frames of widely different type.

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.