Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'

Using only nature and his immediate surroundings, filmmaker Brandon Wilson creates an experimental documentary that ignites the imagination of wandering in nature, and creates a loving portrait to the woods he calls home. Over the course of a year, Wilson set out to document— and accentuate—his surroundings through camera filters, angles, repetition, and audio. The end result is a hypnotic journey through the hidden wonders and beauties of the Northwest forests, in vivid colors and immaculate black-and-whites.

Générations Hip Hop

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.

A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.

Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.

1996 Peter Rose short work. A magician-like figure delivers a peculiar speech that is embedded in extravagant arrays of time-delayed images that reflect and refract ideas about memory, time and language.

Ara crema

A walk through England’s south coast evokes the artists who lived and worked there.

A roll of film is not a successful conduit for grief. For Robert Todd.

A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

In the blink of an eye perception shifts, opening up opportunities to explore and fluidly move between waking and dreaming realities. Shot in the hills of Brown County, Indiana on Super 8 and edited digitally, Attention to Detail Guides the Dreamer explores a recursive, deepening process that eradicates reliance on form and structure, expands space, and invites viewers to heighten their awareness of the multi-layered nature of reality.

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.

A silent succession of black-and-white photographs of the city of Montreal.

Images of the Church of the Sagrada Familia by Antoni Gaudí confronted with brief flashes of housing projects and industrial areas. The furious display of a effervescent imagination is opposed to a grey functionality.

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.