The Human Condition

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

Four erotic short films, all with similar unexpected endings: 'The Dutch Master': a woman who enters a living painting; 'The Insatiable Mrs. Kirsch': a woman is lured by noises from a chamber; 'Vroom Vroom Vroooom': a motorcycle transforms into a woman; and 'Wet': a hot tub salesman seduced by a woman.

Three stories show the changing face of morality, the degeneration of values, the increasing pollution of the spoken language, and the changing social fabric of Bengal.

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

Film anthology that assembles stories about heartbreak, friendship, first love and self-love involving modern and complex relationships in Mexico City, where different young and old people go through different stages of personal growth in a magical, loving, toxic and sometimes even surreal city, where it is just as easy to run into other characters who live similar situations, as it is to meet the love of your life.

Four eminent Indian directors explore sex, desire and love through short films in this sequel to 2018's Emmy-nominated 'Lust Stories'.

The anthology consists of 4 short feature films: "Postscriptum", "His Father", "The Gift" and "The Black Garden".

An amazing and never-before-seen on-screen cast. And, the people's favorite husband-wife duo, Hira and Mani will be appearing together for the first time.

During a frantic police car chase, a fleeing Thief crashes into several twisted characters sending them to an Emergency Room where they emotionally clash and trash, unaware their lives are about to change forever!

Eleven vignettes from the vision of different writers and directors who depict Venezuelan culture very subtly through different genres.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.

The four stories that possibly or impossibly can be happened in the pension; The parents who lost their child go to the pension with poison where the killer stays with his family; The husband and wife on a trip who are growing tired of their married life and the wife’s hidden secret reveals when they reach the pension; A woman who demands to stay a night at a particular suite to save her kidnapped child; A man who is asked to manage the pension for a night, he organizes fantastic night with his girlfriend, but things go wrong…

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

The film consists of five story units: "Concert on the Clouds", "The Enemy and Enmity of the Square", "Welcome to Jina Village", "Calm Down", and "Sunset Red Scout". It tells the struggle of ordinary characters in the new era to pursue a better life. The story shows the country’s development and progress, people’s livelihood changes, and the people’s sense of gain, happiness, and security.