Concerto Macabre: The Films of John Brahm

A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

Paying homage to two of Hollywood's central icons, the film creates an unparalleled portrait of two very different personalities amidst the demise of the studio system.

An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.

Documentary following the history of America's first cinematographers.

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

Gonzalo Suárez: Sam Peckinpah, director salvaje

Martin Scorsese is the unchallenged master of the cinematic quest for Italian-American identity. He has etched the cinematic image of the Sicilian mafiosi and the reality of America with incredible actors like DiCaprio and De Niro.

What is a Micro-Budget film? How are they made? Where can you find them? Do they actually make any money? Six micro-budget filmmakers take us through the arduous process of making movies with little-to-no money. They shed light on the physical, financial and moral complexities of this unusual side of Hollywood.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

A detailed account of the life and artistic career of legendary filmmaker Quentin Tarantino, from his early days as a video club manager to the scandalous fall in disgrace of producer Harvey Weinstein. A story about how to shoot eight great movies and become an icon of modern pop culture.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

An aspiring actress, working as a production assistant on an indie film, unexpectedly gets her big break when the lead actress is fired, all while a documentary crew captures the chaos.

An extraordinary live performance of Hans Zimmer's most beloved and renowned movie soundtracks, including music from Dune, Gladiator, Interstellar, and The Lion King. Featuring conversations with creative collaborators Billie Eilish, Christopher Nolan, Denis Villeneuve, Finneas, Jerry Bruckheimer, Pharrell Williams, Timothée Chalamet, Zendaya, and more.

Fritz Lang, le cercle du destin - Les films allemands

American Movie documents the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, American Movie is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.

Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.