How to Plan a Movie Murder

Promotional short film for Lancia.

This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.

A short biography of life of St Thomas More. Contains clips from the 1966 feature film "A Man For All Seasons."

An interview with actor Virginia Madsen about her work in Candyman (1992).

Promotional short film to reveal the potential of the new Paillard-Bolex camera.

A short making of feature about the 1966 John Frankenheimer movie Grande Prix

Céline Dion – Céline Parle D'elle(s)

Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.

Promotional video celebrating 20 years of the Naruto animation project.

In this "Romance of Celluloid", MGM showcases performers whose careers are just starting. Excerpts from their recently released films are included. The narrator says that moviegoers will have to decide whether these fledgling actors and actresses have that certain quality that made superstars out of MGM players Clark Gable, Spencer Tracy, and Lana Turner.

The good people of the Solax community realize that they have cause to make merry before the New Year because the Almighty has guided their breadwinning footsteps toward the Solax Studio's happy atmosphere, bank together like the big happy family they are, to give expression to their happiness in the form of a gift to the immediate cause of their good fortune and sunshine.

This first documentary about the pop group ABBA was made around the time of the release of their fourth album 'Arrival'. It contains unique archive footage filmed at the secret location where they made the record, concert footage, specially made promotional videos, photos from the group members' private collection and interviews in Swedish with each of them: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. Stig was also interviewed briefly and was shown playing and singing part of Tivedshambo on acoustic guitar.

In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.

A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.

Two moviegoers start a romance like in the movies, thanks to the movies.

The American Dad short film, which preceded the theatrical run of the 2005 feature Fever Pitch, is about Stan Smith touring his work days in the CIA and his "normal" everyday life.

Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.

Documentary of the making of Neil Simon's The Goodbye Girl (1977)

A silent film of collaged and painted sequences of lovemaking between Schneemann and her then partner, composer James Tenney; observed by the cat, Kitch.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT