What Doesn't Kill Us

The Division employs time agents to go and fix events from the past to make a better future. Presented in a mockumentary style, this project was created as part of a 48 hour film competition to make a trailer for a non-existent movie.

Disturbingly inspired by the 1999 horror movie Blair Witch, three more students embark on a journey to make their own film in a similar vein. The only problem? Just kidding, there are so many problems. Officious Lucy's plan for the film don't exactly match her directorial skills. Olivia only pays enough attention to act possessed. Disagreeable Tyler is a film bro. And perhaps most damning of all, their college town doesn't exactly have any adequate hauntings.

A mockumentary detailing the history of the Swedish rock band Ghost.

With more than 70 years of career, Claude Crest is more than ever a living legend of comedy. From his childhood in Hochelaga-Maisonneuve to the historic success of his number La Balloune, this documentary will take you through an inspiring life that is far from being at its last chapter.

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.

When a family can't be together on Christmas, they bring their dysfunctional family Christmas online.

In the Fall of 1999, four teenage sleuths and their Great Dane got lost in the woods while in search of a mystery. This is their story.

A mockumentary of a student film set where the night brings romance, high-jinks, and chaos.

Two paranormal vloggers find themselves in a battle for survival against a 'drop bear', a terrifying killing machine from Australian folklore that disguises itself as a cute, cuddly koala.

The ultimate manual when it comes to the proper handling of the living dead. Recommended behavioural patterns in case of imminent Zombie epidemics are explained in comprehensible steps and vividly executed.

Onde Está Ju?

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

Set in 1987, a group of filmmakers venture into the California wilderness to film a shot on video slasher movie and soon find themselves systematically crippled, butchered and devoured by a family of feral cannibals.

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A man finds a woman on the side of the street and decides to interview her.

A parasitic fungus infects the school lunch, leaving an unlikely group of friends to defend themselves against their undead classmates.

A stand up comedy tour documentary that follows Gavin Matts and Rufat Agayev as life on the road tests the relationship between headliner and opener.

‘MAMA’ is a mockumentary set in a drama school, centring on the shambolic professional life of new Principal, Olive Bady. The pilot is set in a fictional Drama School, MAMA. Filmed in a mockumentary format, it depicts a ‘typical’ day at a conservatoire and introduces us to key members of staff and new Principal, Olive Bady. Olive is on a mission to ensure the survival of this prestigious institution through the introduction of progressive teaching methods and financial restraint. We watch as Olive attempts to be all things to all people: friend, performer and ‘boss’ with entertaining results.

A fly-on-the-wall mockumentary following the day-to-day reality of being Nigel Farage. How does a man forever in the spotlight fill his days now he has nothing to do?