Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.
A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.
The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.
A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.
Stadens själ
Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.
After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.
Behind the scenes and with the fans of West Ham United as they move to a new home after 112 years at Upton Park.
2 hours of musical performances from Woodstock which weren't included in the original Woodstock film. Joan Baez: "{I Live} One Day at a Time" (4:17) Country Joe McDonald: "Flying High" (2:21) Santana: "Evil Ways" (3:56) Canned Heat: "I'm Her Man" (5.33) Canned Heat: "On the Road Again" (10.49) Mountain: "Beside the Sea" (3:38) Mountain: "Southbound Train" (6:17) The Grateful Dead: "Turn on Your Love Light" (37:44) Creedence Clearwater Revival: "Born on the Bayou" (5:12) Creedence Clearwater Revival: "I've Put a Spell On You" (4:10) Creedence Clearwater Revival: "Keep on Chooglin" (9:25) The Who: "We're Not Going to Take It" (9:07) The Who: "My Generation" (7:36) Jefferson Airplane: "3/5 of a Mile in 10 Seconds" (5:40) Joe Cocker: "Something's Coming On" (4:14) Johnny Winter: "Mean Town Blues" (10:52) Paul Butterfield: "Morning Sunrise" (8:26) Sha Na Na: "Teen Angel" (3:21)
Lurking in the dense forests of the German region of Eifel is the most legendary, demanding and deadly racing circuit in the world - the Nürburgring. The Green Hell will reveal and explore the unique relationship between man, machine and nature, set against the most famous circuit in the world.
An unflinching and deeply personal journey into the life and work of guitarist Eric Clapton told through his own words and songs.
Documentary film interviews leading African Americans on race, identity, and achievement.
Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?
Evolutionary biologist Professor Armand Leroi believes data science can transform the pop world. He gathers a team of scientists and researchers to analyse over 50 years of UK chart music. Can algorithms find the secret to pop success? When the results are in, Armand teams up with hit producer Trevor Horn. Using machine-learning techniques, Armand and Trevor try to take a song by unsigned artist Nike Jemiyo and turn it into a potential chart-topper.
Deep Brazil. Between drifting through a city in the interior of Mato Grosso on the banks of the BR-163, we follow moments of the routine of Ana Rúbia, who is preparing for the launch of the book “School Memories of Travestis”.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
A biography documentary of the Argentine modernist architect Amancio Williams.
Being a member of the Royal Family has never been easy. To be a representative of the crown means upholding country and duty above all else. Zara and Peter are members of the royal family who inspire, create and bring about change to the world.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)