The fifth movie of the kids from a school class in Jordbrovägen which the director has followed for over 24 years allows the now adult children through interviews talking about their lives. This is interspersed with inklipp from their everyday life and work, as well as clips from the previous movies.
"A Respectable Life" - A decade has gone by and the spirit of the preceding film, Dom kallar oss mods, has disappeared. Kenta is an alcoholic and lives with his girlfriend Eva. Together they have a son, Patric. Kenta's mom is in jail for manslaughter and Kenta goes to Kronoberg to greet her. Heroin also comes to play and Stoffe is one of those who falls victim to it. He lives with his girlfriend Lena and their young son, Janne. Lena later throws Stoffe out their home when she gets enough of his abuse, and he is forced to live with his mother. Kenta calls Stoffe and decides to meet him, and he tries to persuade him to give up heroin, but the two have a falling out and they separate. This film features other users from the previous film, such as Jajje and Kenta Bergkvist. The film ends with the death of a prominent person in the trilogy.
Misfits to Yuppies is the last of three films (Dom kallar oss mods, Ett anständigt liv, Det sociala arvet) that shows conditions for addicts in Stockholm and try to find out how social legacy have been transferred to their children from previous films.
Stadens själ
A film about "the father" of Malmö Eric Svenning and how the city has developed during his time.
Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.
After losing his son in a traffic accident and his wife to mental illness, Harry moves to a gloomy Stockholm suburb. A local youth gang is harassing the neighborhood and Harry comes up with the idea of hiring the gang to kill the bureaucrats who are responsible for the construction of the suburb. The film is a fierce critique of the political project of building suburbs designed only for workers to sleep in and also wants to have a say in the debate over nature vs nurture.
Survivors and liberators of the concentration camp Bergen-Belsen speak of the day liberation came, 75 years later.
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
Aguas Negras
La Granja
Located between the warrior kingdom of the Hittites and the powerful empire of Egypt, the ancient city of Qatna was wiped off the face of the earth as it grew too powerful ? its role in the rise of the Egyptian empire lost in the desert sands. Qatna and its many treasures lay hidden from humanity until now. In ten years of archeological digs, the lost city has been rediscovered and a team of international scientists has excavated its long-held secrets. Egypt's Lost Rival unearths the ground breaking discoveries hidden from the world for millennia.
It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.
The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.
Directed by British-Nigerian professional rugby player Beno Obano, this candid and personal documentary gives a never-before seen insight into the world of professional rugby.
Into the Light
Find Fix Finish delves into the stories of three US-Drone pilots revealing the clandestine operational strategies practiced by the US Government.
The story of a luckless address: Vienna, Schottenring 7. This was the site of Ringtheater were nearly four hundred people died in a fire in 1881. Where the emperor subsequently built the Sühnhaus ('the house of atonement') to make up for it and no-one wanted to live there.
A journey into the 1920s and 1930s featuring restored and edited home movies taken by Japanese American immigrant pioneers.
A container with stuff from a cleaned out apartment in Stockholm drives the cineaste to look for their owners. In the course of this quest, he meets the actor Ernst-Hugo Järegård and the author Stieg Larsson. The desire to give meaning where perhaps there is none.