Die Kinder sind tot

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Docudrama about life, career and breakdown of Erich Mielke, the former Security chief of East Germany.

Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.

Wasted Talent

Ed Kemper, also known as the Co-Ed Killer, murdered and dismembered 10 people, including his own mother. Former FBI agent John Douglas takes us through his extensive interviews with Kemper, which became the backbone of modern criminal psychology.

The murder of Lizzie Borden's Mother and Father undergoes a forensic investigation - on this Discovery Channel special

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

A true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era.

Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

Holloway — once the largest women's prison in Europe, now abandoned. Six ex-inmates revisit, recounting experiences, giving voice to incarcerated women. They explore vacant cells and corridors, recalling memories from their time inside.

A look at the Turpin family case

Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.

Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.

In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.

Paragraph 175, which made homosexual behavior punishable by law, was abolished in the German Democratic Republic (GDR) in 1968. At that time, heterosexual nuclear families constituted the center of socialist society, and homosexuality was considered a peripheral issue in the GDR. Out in East Berlin —Lesbians & Gays in the GDR tells the impressive-to-absurd personal histories of gay men and lesbians in the GDR, from the post WWII years until the fall of the Berlin Wall.

Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.

Organized crime of the 1970s-80s has been replaced by a new wave of urban gangsters—heavily armed, highly organized, and resourceful. Inspired by Hollywood, they carry out bold heists, smuggle drugs with high-speed cars, and secure their profits for their families and retirement.

The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.