Festival International du Rire de Liège 2018 - Carte Blanche Aux Chevaliers Du Fiel

Jamel et ses amis au Marrakech du rire 2016

Jamel et ses amis au Marrakech du rire 2015

Montreux Comedy Festival 2018 - Crème

Montreux Comedy Festival 2018 - Manu Payet Pour La Planète

Montreux Comedy Festival 2018 - Le Grand Gala D'ouverture De Claudia Tagbo

Festival International du Rire de Liège 2018 - La Nouvelle Scène

Film in three episodes. On the first, man is seduced by strange woman. The second shows orgies with couples. Punk girls kidnap and rape men on the third segment.

Three beautiful Space Babes find themselves stranded on Earth when their spaceship runs out of energy after a dangerous encounter with their mortal enemies, the Scrotes. Once they discover human sexual arousal can recharge their ship, they accept the help of a lonely farm boy to harness energy at a local strip club and get back home — all while avoiding the nasty Scrotes.

Jo Bole So Nihaal (also transliterated as Jo Bole So Nihal; literally meaning "Whoever utters shall be fulfilled") is a 2005 Bollywood action comedy film, directed by Rahul Rawail. It stars Sunny Deol, Shillpi Sharma and Kamaal Khan in lead roles, whilst Nupur Mehta and Surekha Sikri appear in major supporting roles; the director also plays an antagonistic role in the film. Singer Kamaal Khan appeared first time on big screen in a negative role. This movie was his debut movie as actor. The film's release was met by protests from Sikh groups, who took offense at its use of a Sikh religious phrase as its title,[1] as well as scenes in which a Sikh police officer is shown being chased by scantily-clad women[citation needed]. Two bomb attacks on 22 May 2005 on theatres in New Delhi showing the film killed one person and injured 49, prompting cinema owners to pull the film, in some cases voluntarily and in some states as a result of a government order.

Lulu Danger's unsatisfying marriage takes a turn for the worse when a mysterious man from her past comes to town to perform an event called "An Evening with Beverly Luff Linn: For One Magical Night Only."

Paris at the Belle Epoque. Monsieur de Pontagnac, a perfect honest man, loves pretty women too much and that plays him many tricks. What need does he have to follow the pretty Lucienne Vatelin, home, to find himself in the presence of the husband, the notary Vatelin, who is part of his circle? From there, many characters will meet, avoid each other, find each other. Adultery, domestic scenes and reconciliation will be their lot.

In this unusual offbeat black comedy directed by Ugo Tognazzi, Giuseppe (Tognazzi) is a middle-aged industrialist obsessed with gadgets. When his nose starts to whistle uncontrollably, he checks into a clinic to resolve the problem. What begins as a minor affliction worsens, and Giuseppe is placed on a different floor as his ailments multiply. The sicker he gets, the higher he goes up in the floors of the clinic, until he is near death's door.

Two impressionable teenage girls fall in with a beatnik crowd that is content to avoid work and have fun. The group lives for today while committing petty crimes and revels in being outside social convention until their adventures take a murderous turn. A young divorcee with a baby feels that life has passed her by as her friends enjoy a carefree time. Another couple with a young child is headed for divorce when their idyllic bubble is burst and they are overwhelmed by reality.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

The loves of a Sevilian girl living in a patio house at Macarena's quarter and his sweetheart Manolo are troubled by her older and generous housekeeper who is also in love with her.

Three friends confront a horde of mummies, who have inexplicably awakened, and try to rescue their pal, not realizing they have fallen into a trap.

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.