The true story of German-Czech businessman Oskar Schindler (1908-74) as told by some of the Jews — more than a thousand people — whose lives he saved from extermination during World War II.
In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.
The Holocaust is one of the most documented, witnessed and written about events in history, so why is Holocaust denial back on the political agenda? What has happened in the 75 years since the liberation of the camps to have so skewed the picture? And, if it matters, why does it matter?
The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.
A detailed and deeply personal exploration into genocide and how something this atrocious happened, and continues to happen again and again - even in modern times. First-time filmmaker, Paul Bachow, travels around the world and taps into a vast knowledge base of historians, psychology practitioners, and data derived from countless interviews with experts from around the world.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Terezínští hrobaři
By tracking scientists and Holocaust survivors in Lithuania, The Good Nazi tells the story of a Schindler-type Nazi officer who turned his back on his dark ideology and risked his life to save hundreds of Jews.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
For the 75th anniversary of the liberation of Auschwitz, CNN’s Wolf Blitzer looks back through the eyes of those who were imprisoned there.
Collin Searls tells the true story of his great grandmother, Rose Kurek, and her experiences in one of the darkest moments of human history, the Holocaust.
A fascinating, revealing, and poetic documentary exposing the disappearance, obliteration, and omission of a culture. The disappearance of a humanist equilibrium during the Ottoman Empire and the willful erasing of the nonconformist history of a city that did not adhere to the nationalistic ideology that turned the Balkans upside down and continues to do so. The ancient Jerusalem of the Balkans has become a forgotten city, a “judenfrei” city. Organized like a stroll around the urban environment and accommodating the words of survivors of the extermination camps of 1943, the film puts together fragments of memories and nostalgia to witness the exceptional past of the city. A Thessaloniki-born director tres to raise his own cinematic voice, to refuse the elimination and silence which are like a second death, more definitive than the first.
Survivors recall the 1938-39 rescue of children from concentration camps in Germany, Poland, Austria and Czechoslovakia.
A documentary about an orchestra comprised of female prisoners in Auschwitz.
The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
Located nearly 80 kilometres north of Berlin, Germany, the former municipality of Ravensbrück was home to a prison between 1939 and 1945 that became a concentration camp designed specifically for women. It was built by order of Heinreich Himmler, a high dignitary of the Third Reich and head of the SS. Of the more than 130,000 people who were deported there, almost 90,000 never returned. Based on witnesses, international experts and computer-generated images, the document reveals the atrocities committed in Ravensbrück.
The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.
With the help of a Baptist minister and people abroad, the son of Holocaust survivors unshackles his inherited trauma and reconstructs his future.
The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.
Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.